Director Loni Peristere, who continues to serve as partner/executive creative director at visual effects house Zoic Studios, has joined the directorial roster of Bandito Brothers. Over the past year, Peristere has gained a higher profile as a commercial director with work for such clients as Jeep, Activision, ESPN and A&E’s Storage Wars. Peristere’s prior ad credits span such brands as Sony PlayStation, Budweiser, Sear’s Craftsman, Adidas, SeaWorld and Mini Cooper. His directing endeavors have earned a London Film Festival Award as well as a Golden Pencil and Clio Award.
Peristere previously directed spots via Epoch Films. A number of his earlier commercial helming jobs were done via Gargantuan.
Suzanne Hargrove, Bandito’s managing director/executive producer, said the company was drawn to Peristere’s talent for turning out “beautiful and immersive live action work while also being able to seamlessly incorporate top tier visual effects when needed.”
Peristere, who’s repped for features and television projects by WME, comes aboard a Bandito spot directors’ roster comprised of partners/directors Mouse McCoy and Scott Waugh, directors Michael Polish, Matt Goodman, Stewart Hendler, Leo Ricagni, Jacob Rosenberg, Gavin Bowden and director/cameraman Mitchell Amundsen.
Utah Leaders and Locals Rally To Keep Sundance Film Festival In The State
With the 2025 Sundance Film Festival underway, Utah leaders, locals and longtime attendees are making a final push — one that could include paying millions of dollars — to keep the world-renowned film festival as its directors consider uprooting.
Thousands of festivalgoers affixed bright yellow stickers to their winter coats that read "Keep Sundance in Utah" in a last-ditch effort to convince festival leadership and state officials to keep it in Park City, its home of 41 years.
Gov. Spencer Cox said previously that Utah would not throw as much money at the festival as other states hoping to lure it away. Now his office is urging the Legislature to carve out $3 million for Sundance in the state budget, weeks before the independent film festival is expected to pick a home for the next decade.
It could retain a small presence in picturesque Park City and center itself in nearby Salt Lake City, or move to another finalist — Cincinnati, Ohio, or Boulder, Colorado — beginning in 2027.
"Sundance is Utah, and Utah is Sundance. You can't really separate those two," Cox said. "This is your home, and we desperately hope it will be your home forever."
Last year's festival generated about $132 million for the state of Utah, according to Sundance's 2024 economic impact report.
Festival Director Eugene Hernandez told reporters last week that they had not made a final decision. An announcement is expected this year by early spring.
Colorado is trying to further sweeten its offer. The state is considering legislation giving up to $34 million in tax incentives to film festivals like Sundance through 2036 — on top of the $1.5 million in funds already approved to lure the Utah festival to its neighboring... Read More