Eleanor, the diverse production boutique founded by executive producer Sophie Gold, has added director Kelsey Taylor to its roster for representation spanning commercials and branded content. This marks the first formal representation in the ad arena for Taylor who made a recent splash with a heartwarming holiday spot for PayPal.
Taylor comes to directing from a background as a DP, and that discipline informs and influences her work, whether she’s directing something moody and evocative, like her ode to Alien, or upbeat and comic, like her spot for Kenzzi, an at-home laser hair remover, which just won a Bronze at the L.A. Addy Awards. Alternatively, her spot for the Washington State microbrewery Icicle River Brewing takes viewers on a realistic and heart-pounding downhill run with a backcountry skier.
While her background hails from the camera department, Gold sees in Taylor’s work an ability to hone in on subtle nuances like casting, performance and pacing. “She’s able to unearth the moments between the moments, if you will, and does so with comedic timing and an honest portrayal of humanity, conveyed in a visually anthemic manner,” Gold said.
At Eleanor, Taylor joins a directorial roster that includes Adrian De Sa Garces, Anton Watts, Elias Ressegatti, Alice Waddington, Jeff Bitsack and Kate Cox. Taylor views joining this collection of filmmakers as an important step in her career plan. “I’m at this really exciting moment when I’m transitioning into directing full time, and when Sophie and I spoke we really just clicked,” said Taylor. “I love the fact that this is a woman-owned production company, and that she has this very honest, straight-shooting approach. It’s like, ‘let’s get down to business and make something!’”
After graduating cum laude with a degree in film production and film studies from Loyola Marymount University, Taylor launched her career in production as a camera assistant and DP. She was attracted to the craft because it offered a deeper understanding of what she calls “the visual language of storytelling, about how we actually see things on screen. I felt that knowing what goes into how films are made is something that comes out of cinematography.”
Since transitioning into directing she’s taken on a wide range of projects, both stylistically and thematically, ranging from comedy and lifestyle to drama and suspense. She’s partnered on several occasions with Tongal, the disruptive content creation platform, which connects brands and studios with an online community of writers, filmmakers, designers and production companies.
One notable result was Alien: Specimen, made as a joint project between the platform and 20th Century Fox, with a goal of extending the terrifying premise of Ridley Scott’s original Alien into new situations and new storylines. In Taylor’s short, which has been viewed more than five million times, the rapacious alien finds a new home in what appears to be a lab, and a strong new female victim with which to lock horns.
Tongal also was the platform that connected Taylor with PayPal, which resulted in “Make it One to Remember.” To the strains of the Nutcracker, we see a dad who spies his young daughter taking her Zoom ballerina lessons. Realizing what she’ll be missing as the holidays approach, he turns to PayPal to pull together all the items he needs to create an inviting home theater, as well as a costume for himself, so that his little girl can dance her part with the family as an audience.
The project turned out to be a gift in more ways than one: Taylor pitched it initially to the brand as a much shorter spot, “but they loved it and it just kept getting bigger and bigger,” she explained. “It was a truly lovely experience, and the client was great. They were very open to collaboration, and had a lot of trust in us.”
Looking forward, Taylor is eager to partner with agencies and brands in a similarly collaborative way. “I just love the process of partnering with others, and that’s what excites me the most about joining Eleanor. I love being that person who takes a great idea and makes it happen.”
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More