Strike Anywhere has added filmmaker John Larigakis to its talent roster, marking his first U.S. commercial representation. He continues to be repped in Canada by production house BOLDLY.
Larigakis first established himself on the agency side of the business where he spent 15 years, including serving as a sr. art director at DDB Canada and then a creative director at 123w before making a seamless transition to directing commercials..
Conceptual and highly art-directed, Larigakisโ style focuses on comedic surrealism grounded in reality. By counterbalancing the outlandish and colorful setting with deadpan performances, the key to his commercials is the metaphorical twist on the core concept, ultimately yielding a funny film. His stylistic vision is often brought to life through custom props, 3D animation, physical comedy, and practical effects to craft imaginative environments and memorable characters.
As a director, Larigakis recently won a Berlin Commercial Award for his work with Extra Gum. Heโs also helmed films for brands like Starbucks, Nintendo Switch, Playland, and Sandman Hotels. Throughout his career in advertising, Larigakis has developed work that has won six Cannes Lions, 12 One Show Pencils, six D&AD Pencils, and six Clios.
โIโm a big fan of Strike Anywhereโs approach, their mix of strong advertising and film projects, and most importantly, the team,โ remarked Larigakis. โThey are genuinely passionate about helping directors grow and develop their careers, and Iโm at a stage where Iโm excited to continue crafting my skills in new areas.โ
Ryan Simon, founding partner of Strike Anywhere, added, โAt Strike Anywhere, comedy is key to company growth, and weโre elevating the game by joining forces with filmmaker John Larigakis.โ Simon added, โJohn brings over a decade of comedy experience, momentum as a new filmmaking voice, and a unique visual style that complements our commitment to producing work with the best creatives in the world.โ
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More