Bradley Tangonan–a Filipino American director, born in Hawaii and based in New York City–has connected with Method & Madness for representation spanning commercials and branded content.
Tangonan’s work has been featured on platforms such as Tribeca X, the ADDY Awards, Nowness, The Atlantic, and Vimeo Staff Picks. He has collaborated with such clients as Google, The North Face, Cadillac, Johnnie Walker, Bausch + Lomb, Square and CB2, among others.
In 2020, Tangonan came up a winner in the Emerging Directors category of The One Club for Creativity’s One Screen Short Film Festival for his Le Labo branded content short Rose De Mai in which harvesters in Grasse, France, reflect on their relationship to the Centifolia rose, the rarest, most fragrant rose in the world, and the personal meaning of this fleeting bloom.
“I’m excited to join Method & Madness, a team known for its standout work across a wide range of industries. I can’t wait to dive into opportunities in a new region and look forward to having the support of such an experienced and dedicated team,” stated Tangonan whose representation relationship with Method & Madness is non-exclusive. He had earlier been repped by production company REVERSE.
Tangonan’s work reflects a passion for portraying outsiders, trailblazers and pioneers, as well as an affinity for bringing marginalized communities to the forefront. Method & Madness partner Ross Zuchowski said, “Brad’s sense of storytelling is innate and it’s easy to get lost in the rich stories he captures. We are excited to see what’s next for Brad and couldn’t be happier to have him on board.”
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More