Ben Steiger Levine, a director whose flair for design and visual effects complements his strengths as a narrative storyteller, has joined the talent roster at Greencard for commercials and branded content in the U.S.
Emily Wiedemann, Greencard founder and executive producer, said of Steiger Levine, “On top of his directorial chops, he’s also a great writer, so we have very high hopes for him not just in his advertising work but in both short and long-form films as well.” Prior to signing with Greencard, Steiger Levine was with 1stAve Machine.
Steiger Levine’s work has netted him everything from a Cannes Lions to a Grammy nomination, and is characterized by a lighthearted story told in a visually compelling way. Supporting the organic feel of much of his work, he prefers to find in-camera solutions rather than rely on heavy CG whenever possible.
A great example is his “Intolerance” project for Natrel, a Canadian lactose-free line of dairy products: In a faux documentary, we meet Miles Granderson, a towering man who explains his love of dairy and appears like a giant in his too-small house. There’s no CG in it at all, Steiger Levine admits; the actor playing Miles is a regular-sized guy. “It’s mostly just camera tricks,” he explains, “along with a lot of careful compositing.”
The director said he was attracted to Greencard ironically because the company is not known as an effects and design studio, but rather has impressive credentials in narrative, long form and other genres and categories he’s interested in pursuing. “I didn’t want to get pegged as a design and effects-oriented director,” he explained. “I love the diversity of Greencard’s body of work, and I’m confident I’ll have a place here. I’ll bring my expertise to their roster, while they’ll open up opportunities for me in the areas of film and live action commercials.”
Steiger Levine has directed for such brands as Coca-Cola, Samsung, Sprite and Nintendo (in a spot which blends live action and stop-motion in an easygoing, organic way), and his video for the Canadian duo Beast, which was Grammy-nominated for Best Music Video, will give anyone afraid of bees nightmares for years.
Asked to describe his work, Steiger Levine shies away from too many VFX references and adopts a more ethereal tone; it’s not surprising, given that Michel Gondry was a huge influence. “His mixed media approach interested me, and his films have this dreamlike quality,” he noted. “I like work in which you can transform reality and enter a magical world where things look and feel different.” Working in advertising, he added, gives him the opportunity to bring multiple disciplines to bear on a script, from art, design and cinematography to his ability to build complex sets that almost become characters on their own. “They can help elevate and enhance the performances I get out of my cast,” he said.
Currently, Steiger Levine is working on a short narrative VR project that’s been funded through Canada’s Telefilm, ARTE in France and the Belgium film fund. Using primarily CGI, it will offer an immersive viewing experience unlike anything he’s done before.
At Greencard, he hopes to continue working in the highly collaborative style he’s accustomed to. “I believe now more than ever agencies are looking for creative partners, not just someone to execute an aesthetic vision,” he observes. “I love taking part in this process of shepherding the concept into reality in a way that preserves both the agency’s and the client’s vision. It’s very rewarding to be part of this bigger team effort.”
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More