Brand New School (BNS) has added director Anaïs La Rocca to its creative roster. La Rocca’s career spans writing, animation and live action, with work inspired by her background in design.
A graduate of the School of Visual Arts design and advertising program, La Rocca began her career as an art director at Y&R. After a few years in the agency world, she was offered an opportunity to collaborate with legendary Jay-Z and acclaimed filmmaker Anthony Mandler on a series of television spots. La Rocca not only wrote TV campaigns for the duo to produce, but also collaborated on storyboards with Mandler and remained closely involved throughout production. The experience opened La Rocca’s eyes to a whole new world of creativity and set her sights on directing.
Focusing on the music industry, La Rocca took on early directing projects for clients with Atlantic Records. She worked with artists including Skrillex, Diplo and Vance Joy to name a few. The music video she directed for Toyboy & Robin, “Save Me Now,” was a Vimeo Staff Pick. She also creative directed projects for numerous artists and album campaigns.
La Rocca joined 1stAveMachine in 2015, followed by seven years at The Mill, where she further developed her reputation for writing and directing projects that highlight not only her innovative storytelling abilities but also a deep understanding of creative strategy. To further sharpen her skills as a storyteller, La Rocca studied screenwriting at New York University. She has brought this unique sensibility to clients including Apple, Cartier, Avocado, and Neiman Marcus. Additionally, she has had stories published in the New York Times’ Modern Love Column and other literary magazines.
La Rocca’s honors include the Webby Awards People’s Choice Award and inclusion in SHOOT’s 2018 New Directors Showcase. She won an International Motion Arts Award for her short film Good Bones, based on the poem by Maggie Smith. The film highlights the director’s talent for showing the fragility and power of life, which is a running theme in her varied commercial work.
Brand New School founder Jonathan Notaro said, “With her background in advertising and design, Anaïs brings a finely-attuned editorial eye and an undeniable dedication to craft to all her work. Her work is deeply original, and her connection to brands, agencies, and the wider cultural landscape will enhance our client relationships and enrich the work we create for them.”
On joining BNS, La Rocca said, “I couldn’t imagine a more electrifying way to start a new chapter. Brand New School is alive with creativity, collaboration and that freshly baked air of ‘anything is possible’. Jonathan and the team have created a space that will allow me to continue evolving as a writer and director while working with visionary brands. I am thrilled to be in the playground and on the team.”
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More