Digital Domain 3.0 has promoted Academy Award-winning VFX supervisor Eric Barba to chief creative officer/sr. visual effects supervisor. In his expanded role, Barba, a 17-year Digital Domain veteran, will help to drive the development of creative-side relationships for the company, guide creative practices and oversee the development of branded materials for the company's marketing efforts. He will continue to work on individual feature films as a VFX supervisor and on commercials as a VFX supervisor and director. Barba reports to CEO Daniel Seah and is based in Los Angeles.
Director David Fincher opined, "Finally! Eric Barba is the reason Digital Domain is on my list of the top three visual effects companies in the world."
Barba was recognized with an Academy Award in 2009 for his work as the VFX supervisor developing a believable digital human character for Fincher's The Curious Case of Benjamin Button. Barba was the VFX supervisor on director Joseph Kosinski's Oblivion and on Kosinski's first feature, TRON: Legacy, as well as Fincher's The Girl with the Dragon Tattoo. He also contributed his talents to Fincher's Zodiac.
Like many of the top directors he collaborates with, Barba is equally at home working in film and advertising. A graduate of the Art Center College of Design, he started his career at Steven Spielberg's Amblin Imaging as a digital artist on sci-fi television shows. In 1996 he joined Digital Domain where he supervised visual effects on dozens of commercials for Nike, Heineken, Adidas, Microsoft Xbox/Epic Games, and other leading brands. He has worked on many commercial projects with Fincher, including a multiple-award-winning spot for Adidas, the Nine Inch Nails music video "Only," and spots for Nike, Motorola and HP. Barba's own commercial directing credits include Nike's "Birth of Speed," Jaguar's "Pool," and campaigns for American Express, Cingular and Honda. He is a member of the Academy of Motion Picture Arts & Sciences.
Barba said, "Quality is what Digital Domain was built on and what drives us in this new phase of our company. The core creative leadership here has been in place for more than a decade and has set that bar. I'm looking forward to working with this team of supervisors to mentor the next wave of talent to continue delivering on that promise and that expectation."
Writers of “Conclave,” “Say Nothing” Win Scripter Awards
The authors and screenwriters behind the film โConclaveโ and the series โSay Nothingโ won the 37th-annual USC Libraries Scripter Awards during a black-tie ceremony at USCโs Town and Gown ballroom on Saturday evening (2/22).
The Scripter Awards recognize the yearโs most accomplished adaptations of the written word for the screen, including both feature-length films and episodic series.
Novelist Robert Harris and screenwriter Peter Straughan took home the award for โConclave.โ
In accepting the award, Straughan said, โAdaptation is a really strange process, youโre very much the servant of two masters. In a way itโs an act of betrayal of one master for the other.โ He joked that โYou start off with a book that you love, you read it again and again, and then you end up throwing it over your shoulder,โ crediting author Robert Harris for being โso kind, so generous, so open throughout.โ
In the episodic series category, Joshua Zetumer and Patrick Radden Keefe won for the episode โThe People in the Dirtโ from the limited series โSay Nothing,โ which Zetumer adapted from Keefeโs nonfiction book about the Troubles in Ireland.
Zetumer referenced this yearโs extraordinary group of Scripter finalists, saying โprojects like these reminded me of why I wanted to become a writer when I was sitting in USCโs Leavey Library dreaming of becoming a screenwriter. If you fell in love with movies, or fell in love with TV, chances are you fell in love with something dangerous.โ
Special guest for the evening, actress and producer Jennifer Beals, shared her thoughts on the impact of libraries. โIf ever you are at a loss wondering if there is good in the world,โ she said, โyou have only to go to a... Read More