Directors Guild of America membership has voted by an overwhelming margin to ratify the new collective bargaining agreements between the DGA and the Alliance of Motion Picture and Television Producers (AMPTP).
“I am happy to report that the DGA membership overwhelmingly voted to ratify the new contract,” said Paris Barclay, DGA president. “Our major gains in SVOD residuals, together with our improvements in wages and pensions, were the result of our forward-thinking preparation. With the groundwork already laid in previous negotiations, this new contract embodies what we knew was possible when we established our first New Media agreement nearly a decade ago. All our thanks go to our Negotiating Committee, led by co-chairs Michael Apted and Thomas Schlamme, and National Executive Director Jay Roth, as well as our Guild’s professional staff, for all their determination and hard work.”
Formal negotiations with the AMPTP began on Monday, December 5, and concluded three weeks later on Friday, December 23. Talks were led by Apted, Schlamme and Guild chief negotiator Roth. On December 29, the DGA’s National Board of Directors unanimously recommended sending the contract to members for ratification. Ratification voting opened on January 4, and the results were finalized tonight (1/25) after the deadline.
Gains include significant increases in SVOD residuals; increases in employer contributions to the pension plan; annual wage increases (2.5% in the first year, 3% in the second and third); increases in nearly all residuals bases; and a provision addressing the lack of TV directing opportunities for aspiring career directors. The new agreement also includes provisions addressing safety, improvements in creative rights–including expanded rights of members when their work is shown theatrically as well as provisions addressing late scripts–and specific advances that pertain to members of the director’s team.
The new contract’s three-year term will take effect on July 1, 2017 and will run through June 30, 2020.
Jules Feiffer, Pulitzer Prize-Winning Cartoonist and Writer, Dies At 95
Jules Feiffer, a Pulitzer Prize-winning cartoonist and writer whose prolific output ranged from a long-running comic strip to plays, screenplays and children's books, died Friday. He was 95 and, true to his seemingly tireless form, published his last book just four months ago.
Feiffer's wife, writer JZ Holden, said Tuesday that he died of congestive heart failure at their home in Richfield Springs, New York, and was surrounded by friends, the couple's two cats and his recent artwork.
Holden said her husband had been ill for a couple of years, "but he was sharp and strong up until the very end. And funny."
Artistically limber, Feiffer hopscotched among numerous forms of expression, chronicling the curiosity of childhood, urban angst and other societal currents. To each he brought a sharp wit and acute observations of the personal and political relations that defined his readers' lives.
As Feiffer explained to the Chicago Tribune in 2002, his work dealt with "communication and the breakdown thereof, between men and women, parents and children, a government and its citizens, and the individual not dealing so well with authority."
Feiffer won the United States' most prominent awards in journalism and filmmaking, taking home a 1986 Pulitzer Prize for his cartoons and "Munro," an animated short film he wrote, won a 1961 Academy Award. The Library of Congress held a retrospective of his work in 1996.
"My goal is to make people think, to make them feel and, along the way, to make them smile if not laugh," Feiffer told the South Florida Sun Sentinel in 1998. "Humor seems to me one of the best ways of espousing ideas. It gets people to listen with their guard down."
Feiffer was born on Jan. 26, 1929, in the Bronx. From... Read More