The Art Directors Guild (ADG, IATSE Local 800) has named production designer Dawn Snyder as its director of education & special projects, succeeding Casey Bernay. The two are currently working together, creating a smooth transition as Snyder takes over officially today (9/1).
Bernay will stay on in a support role and continues to be involved with the Guild as a member of the board of directors and secretary of the Illustrators and Matte Artists Council.
National executive director Chuck Parker noted, “I am thrilled that Dawn Snyder has agreed to take the reins of the ADG Education Program with her thorough art department background combined with her teaching experience. Casey Bernay blazed the trail for harnessing the power of contract services to provide more than just safety training, to the ultimate benefit of not only just Local 800 members, but members of other West Coast locals as well. As Casey moves towards retirement, a seamless transition with Dawn is in the works and the winners will be the members of Local 800 for years to come.”
Snyder said, “After 38 years doing my dream job (as set designer, art director and production designer), I find myself fortunate enough to be able to help craft a program that will educate, strengthen skills, and encourage both current and future members of the Art Directors Guild to succeed in their dream jobs.”
She paid tribute to Bernay for her successful years in the position. The Art Directors Guild has developed, through Bernay, a robust education program which enables members to receive training and develop additional skills related to their work.
Snyder is best known as a TV production designer on shows such as Arrested Development, for which she won an Art Directors Guild Award. Other shows include Rush Hour, Imaginary Mary and the Netflix series Best Worst Weekend Ever. Her set design credits include Geostorm, Lemony Snicket’s A Series of Unfortunate Events, Van Helsing, Armageddon, Gremlins 2: The New Batch, Caddyshack II and Field of Dreams.
Snyder was recently professor of production design at the Savannah College of Art & Design in Savannah, Georgia, and is currently a member of the adjunct faculty at AFI.
Director Angie Bird Joins Scheme Engine For U.S. Representation
Scheme Engine has added director/photographer Angie Bird to its roster for U.S. representation spanning commercials and original content.
Bird crafts deeply human and charismatic portrayals of community, empowerment and the rituals of celebration across commercials, elevated documentary and short film. A former agency creative, Bird has a body of brand work consisting of cinematic lifestyle campaigns for Nike, Dove, Allstate, Procter & Gamble and the YMCA, among others. Prior to joining Scheme Engine, Bird was most recently represented in the U.S. for commercials by production house Curfew.
Two years into her career, Bird back in 2016 won a Cannes Young Director Award for “Mean Tweets,” a provocative campaign for Raising the Roof, that challenged stereotypes of unhoused individuals with striking humanizing portraits. The project earned honors at the Clios, and Webbys and was shortlisted at Cannes.
Her Gillette campaign, “First Shave”--a heartfelt examination of masculinity in the trans community--earned three Cannes prizes and won honors at the Clios and The One Show.
As a director invested in films that ignite conversation, and inspire action, Bird embraces challenging, overlooked stories, bringing to light complex, authentically heroic characters faced with cultural stigmatization and gender-based discrimination. She co-wrote and directed "Short Life Stories" for White Ribbon and Canadian agency Bensimon Byrne--a shattering call to dismantle transphobia, following the journey of a transgender woman as she steps into her authentic life. The campaign won six awards at One SCREEN 2024, including Best in Region: North America and Best in Show
“I’m inspired,” affirmed Bird, “to create stories that champion the... Read More