Alldayeveryday has appointed David Boxser as managing director, a new position at the entertainment and media company. Boxser will lead the growth of Alldayeveryday’s creative services division, and support the trajectory of the Allday brand as a whole.
He joins Alldayeveryday from the fashion and luxury agency Wednesday, where he served as president of its New York office. There he worked across numerous clients including Nike, Calvin Klein, Cole Haan, Tacori, Tory Burch and Estee Lauder.
Earlier in his career, Boxser was group business director at Engine Group-owned Deep Focus, where he ran a number of high-profile accounts including Nestlé, Pernod Ricard, Wellpoint and Samsung. He has also had stints at Publicis and Digitas, working on American Express and LG Electronics.
Kevin Kearney, managing partner at Alldayeveryday, said Boxser will play an integral role in sustaining the growth of the company’s creative services department and its further integration with the entertainment division, “offering clients unique creative solutions” and access “to talent and connections within the creative community.”
Juliette Welfling Takes On A Musical, A Crime Thriller, Comedy and Drama In “Emelia Pérez”
Editor Juliette Welfling has a track record of close-knit, heartfelt collaboration with writer-director Jacques Audiard, a four-time BAFTA Award nominee for Best Film not in the English Language--starting with The Beat That My Heart Skipped in 2006, then A Prophet in 2010, Rust and Bone in 2013, and Dheepan in 2017. He won for The Beat That My Heart Skipped and A Prophet.
Welfling cut three of those features: A Prophet, Rust and Bone, and Dheepan. And that shared filmography has since grown to most recently include Emelia Pérez, the Oscar buzz-worthy film from Netflix. Welfling herself is not stranger to Academy Award banter. In fact, she earned a Best Achievement in Film Editing Oscar nomination in 2008 for director Julian Schnabel’s The Diving Bell and the Butterfly.
Emelia Pérez is a hybrid musical/drama/thriller which introduces us to a talented but undervalued lawyer named Rita (portrayed by Zoe Saldana) who receives a lucrative offer out of the blue from a feared drug cartel boss who’s looking to retire from his sordid business and disappear forever by becoming the woman he’s always dreamt of being (Karla SofÃa Gascón in a dual role as Manitas Del Monte/Emilia Pérez). Rita helps pull this off, orchestrating the faked death of Del Monte who leaves behind a widow (Jessi, played by Selena Gomez) and kids. While living comfortably and contently in her/their new identity, Pérez misses the children. Pérez once again enlists Rita--this time to return to family life, reuniting with the kids by pretending to be their aunt, the sister of Del Monte. Now as an aunt, Pérez winds up adopting a more altruistic bent professionally,... Read More