Former head of production to lead Commercial and VR divisions
Digital studio Reel FX, Dallas/Santa Monica, has brought back its former head of production David Bates as general manager. Bates spent nearly eight years with Reel FX from 2002-2010, and will leverage his recent executive experience curating talent for creative roles at a wide range of companies to assemble top tier in-house teams for projects across Reel FX’s short form and VR divisions.
Bates' hiring comes on the heels of the recent success of Reel FX’s virtual reality division, Reel FX VR. After opening in September 2014, the division has a slate of immersive experiences, including a recent The Hunger Games 360-degree narrative experience exploring key moments from throughout Katniss’ journey across all films, a fully-integrated recruiting experience for the U.S. Air Force out of GSD&M, and an impactful VR experience for AT&T’s “It Can Wait” campaign with BBDO New York.
Bates got his start in creative marketing for FOSSIL, spending nearly a decade in multiple roles, including serving as director of the graphics team for a re-launch of the brand’s apparel line as well as leading the creative vision of the in-store experience for stores worldwide. He left FOSSIL to join Reel FX in 2002 as creative director and art department manager, evolving the creative breadth of the department. He transitioned to become the SVP/head of commercial production, bolstering in-house talent, broadening the scope of branded projects, overseeing the build out of the Santa Monica space as well as managing sales, project management and operations. He left in 2010 to apply his creative management skills to a diversified range of companies at Plano, TX-based Bedrock Manufacturing for brands such as Shinola, and Filson, and others such as Marissa Webb and Clare Vivier.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More