Dalet Digital Media Systems, a provider of software-based solutions for media organizations, has announced the release of Dalet AmberFin, version 10.5, which enables customers to make the best possible pictures with unprecedented flexibility for their businesses. This major update to the Dalet AmberFin platform marks the debut of Dalet AmberFin Dark enterprise transcode, Cinnafilm Tachyon GPU-accelerated frame-rate conversion (as part of (AT)3 toolbox), XAVC support, ARD-ZDF MXF Profiles and other significant features.
Ben Davenport, Dalet’s director of marketing, stated, “This significant release confirms Dalet’s investment and commitment to the AmberFin platform. Dalet AmberFin Dark is completely scalable, enabling businesses to start small and expand to an enterprise-grade solution. Meanwhile, unlike other vendors, who may only provide a single technology option for temporal conversions, the inclusion of Tachyon as a tool in the (AT)3 toolbox allows users to choose the best solution for their businesses or even a combination of different technologies.”
Dalet AmberFin is a high-quality scalable transcoding platform with fully integrated ingest, mastering, QC and review functionality, enabling facilities to make great pictures in a scalable, reliable and interoperable way. The inclusion of Tachyon within the (AT)3 toolbox gives Dalet AmberFin users the ability to perform faster standards conversion while maintaining the high quality pictures that the Dalet AmberFin platform is known for. The Dalet AmberFin Dark transcoder efficiently turns the content that owners have into the content their customers want. With all components running as Windows services, users can build transcode farms on commodity IT hardware as appliances–minimizing downtime, reducing maintenance costs and enabling complete ‘lights-out’ operation.
“(AT)3 is a real innovation from Dalet, acknowledging that different sectors of the industry and different content types require different approaches to frame-rate conversion,” explains Matthieu Fasani, Dalet AmberFin product manager. “Adding Tachyon to the collection of tools in the (AT)3 toolbox provides customers with the complete flexibility to address those different requirements. For the first time, users are also able to combine those tools in a single-pass operation to achieve unprecedented levels of conversion quality. (AT)3 is available as part of Dalet AmberFin Dark, which is supported with full redundancy, network licensing and Windows services architecture. The technology can be deployed in a data center. ARD-ZDF profiles are vital to helping to solve the problem of file interoperability for media facilities in Germany, in a similar way to Dalet AmberFin support for the DPP initiative in the UK, for which it gained compliance in September.”
Dalet AmberFin 10.5 feature highlights include:
Dalet AmberFin Dark – A new service-based architecture allowing users to build enterprise-scale, fault-tolerant transcode farms while enabling backwards compatibility in the API for existing customers
XAVC (HD) support for transcode-in and playback, increasing codec support, especially in the area of camera acquisition
Cinnafilm Tachyon – GPU-powered, motion-compensated frame-rate converter available as a technology option in the (AT)3 toolkit
ARD-ZDF MXF Transcode Profiles facilitate file interoperability for media facilities in Germany
And SCC Sidecar Transcode Output – 608 Caption data can be extracted from files during a transcode to a .scc sidecar
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More