In the second of two digital ceremonies on consecutive evenings (5/26 & 27), D&AD has unveiled three Black Pencil winners, alongside the President’s Award, companies of the year, and the remaining Pencil winners across the Culture, Design and Impact categories.
Reserved for truly groundbreaking work, D&AD’s highest honor, the Black Pencil, was presented to:
–#wombstories, AMV BBDO, Art Direction, Film
Women animators from across the world aiming to open up the many narratives and break taboos around the experiences of people with wombs. The project for client Libresse was directed by Nisha Ganatra of Chelsea Pictures, with animation from Framestore.
–True Name, McCann New York, Experiential, Community
A collaboration with Mastercard to support the rights of transgender and nonbinary people to use their chosen names on credit cards.
–Boards of Change, FCB Chicago, Spatial Design, Public Spaces
Turning plywood boards used to barricade storefronts during the Black Lives Matter protests into polling booths, empowering Black Americans to use their right to vote.
Donal Keenan, awards director at D&AD commented, “D&AD Black Pencils are an incredibly special and rare industry accolade. I am delighted that this year we have three projects that are driving real behavioral change, from helping empower communities, to increasing freedoms and smashing taboos. The discussion in all three Black Pencil juries was insightful and rigorous this year. D&AD would like to say thank you again to all our fantastic judges in making these Black Pencil choices.”
President’s Award
This year’s President’s Award, reserved for true industry heroes, was awarded to Kim Gehrig, Director at Somesuch, for her outstanding contribution to creativity.
Naresh Ramchandani, D&AD President, commented: “For me, creative excellence is work that acts both for the brief and for the world, putting social purpose at the heart of commercial success, and showing us that great creativity lifts everybody up. Kim Gehrig’s work lifts so many people up–women trying to get fitter in the case of 'This Girl Can,' men who stand against toxic masculinity with 'We Believe,' and people unafraid to speak up about periods with 'Viva La Vulva.' Kim is not just an ‘issues director’, because when she addresses issues, they’re not issues at all–they’re national and international provocations and celebrations that touch the hearts of everyone who cares and many more who didn’t know they did. For this reason I believe she couldn’t be more deserving of this year’s President’s Award.”
Companies of the Year
AMV BBDO won Advertising Agency of the Year while COLLINS was named Design Agency of the Year, and DDB Worldwide Network of the Year.
DIVISION earned distinction as Production Company of the Year, and Apple as Client of the Year.
Here’s a rundown of the top three in the best company of the year categories:
The top ranking advertising winners of the year are:
- AMV BBDO
- Publicis Italia
- Africa
The top ranking design winners of the year are:
- COLLINS
- John Knowles Ritchie
- Superunion
The top ranking production winners of the year are:
- DIVISION
- Somesuch London
- Stink Films
The top ranking clients of the year are:
- Apple
- Essity
- Academy
Alongside these special awards D&AD also announced the Pencil winners across the Culture, Design and impact categories. Across these, the top ranking countries by number of Pencils are:
- United States – 59 Pencils
- United Kingdom – 53 Pencils
- China – 13 Pencils
- Canada and France – 11 Pencils each
The top ranking companies for these categories, by number of Pencils are:
- John Knowles Ritchie, COLLINS and Superunion – 5 Pencils each
- Adam&EveDDB, Africa, Apple and Google / Google Creative Lab – 4 Pencils each
The total number of Pencils in each category are:
Impact: 24 Pencil Winners
- Impact: 6 Graphite, 13 Wood
- Future Impact: 5 Future Impact pencils
Culture: 41 Pencil Winners
- Entertainment: 3 Yellow, 7 Graphite, 5 Wood
- Gaming: 1 Yellow, 3 Graphite, 6 Wood
- Music Videos: 6 Graphite, 10 Wood
Design: 166 Pencil Winners
- Book Design: 1 Yellow, 3 Graphite, 6 Wood
- Branding: 6 Yellow, 12 Graphite, 36 Wood
- Design Transformation: 1 Yellow, 2 Wood
- Digital Design: 2 Yellow, 5 Graphite, 6 Wood
- Graphic Design: 1 Yellow, 7 Graphite, 21 Wood
- Magazine & Newspaper Design: 1 Yellow, 2 Graphite, 17 Wood
- Packaging Design: 2 Yellow, 3 Graphite, 15 Wood
- Product Design: 1 Graphite, 7 Wood
- Spatial Design: 1 Yellow, 2 Wood
- Type Design: 3 Graphite, 3 Wood
Big picture tally
The total number of Pencils awarded for the D&AD Awards 2021 by level are as follows:
Overall Total – 664 Pencils
- Black – 3 Pencils awarded
- Yellow – 63 Pencils awarded
- Graphite – 190 Pencils awarded
- Wood – 390 Pencils awarded
- Side Hustle – 2 Pencils
- Future Impact – 5 Pencils
- Next – 9 Pencils awarded
- Collaborative – 2 Pencils awarded
Pencil Winners, Top 5 Countries
- United States–355 winning entries, 1087 points
- United Kingdom–296 winning entries, 836 points
- France–90 winning entries, 255 points
- Australia–51 winning entries, 156 points
- Brazil–49 winning entries, 151 points
The full list of winners can be accessed here.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More