State broadcaster Czech Television has upgraded one of its long-serving Quantel eQ finishing systems to a turnkey Pablo Rio 4K system. Pablo Rio will be used for high quality color and finishing of Czech Television’s episodic TV programs and local movie productions. The Czech Television network includes channels, CT 1, CT 2, CT 24, CT sport, CT :D, and CT art.
Pablo Rio is Quantel’s high quality color and finishing system that provides productive post workflow. Pablo Rio runs on high performance PC hardware and exploits NVIDIA Maximus multi-GPU technology to deliver true interactivity and maximum productivity, with realtime performance at 4K 60p and beyond. Pablo Rio is available as software only and as a range of Quantel-backed turnkey systems.
Ivo Ferkl, Czech TV technical director, said, “The system will provide us with future-proof technology, not just for HD services, but at 4K and beyond.”
Martin Mulligan, Quantel sales director, said, “Czech TV and Quantel have had a long-standing relationship since the mid-1990s so we are delighted they have once again chosen to make such a significant investment in our post technology as they look ahead to a 4K future.”
Review: Writer-Director Aaron Schimberg’s “A Different Man”
Imagine you could wake up one morning, stand at the mirror, and literally peel off any part of your looks you don't like — with only movie-star beauty remaining.
How would it change your life? How SHOULD it change your life?
That's a question – well, a launching point, really — for Edward, protagonist of Aaron Schimberg's fascinating, genre-bending, undeniably provocative and occasionally frustrating "A Different Man," featuring a stellar trio of Sebastian Stan, Adam Pearson and Renate Reinsve.
The very title is open to multiple interpretations. Who (and what) is "different"? The original Edward, who has neurofibromatosis, a genetic disorder that causes bulging tumors on his face? Or the man he becomes when he's able to slip out of that skin? And is he "different" to others, or to himself?
When we meet Edward, a struggling actor in New York (Stan, in elaborate makeup), he's filming some sort of commercial. We soon learn it's an instructional video on how to behave around colleagues with deformities. But even there, the director stops him, offering changes. "Wouldn't want to scare anyone," he says.
On Edward's way home on the subway, people stare. Back at his small apartment building, he meets a young woman in the hallway, in the midst of moving to the flat next door. She winces visibly when she first sees him, as virtually everyone does.
But later, Ingrid (Reinsve) tries to make it up to him, coming over to chat. She is charming and forthright, and tells Edward she's a budding playwright.
Edward goes for a medical checkup and learns that one of his tumors is slowly progressing over the eye. But he's also told of an experimental trial he could join. With the possibility — maybe — of a cure.
So... Read More