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    Cut+Run promotes Bazadona to editor, Jobin to head of production

    By SHOOTUpdated:No Comments1358 Views
    NEW YORK --

    Cut+Run NY has promoted Adam Bazadona to editor and Ellese Jobin to head of production.

    Adam Bazadona started as an assistant at Cut+Run in 2009 and, over the years, has worked alongside Jon Grover, Gary Knight, Akiko Iwakawa, among other editors. From assisting to editing has been a fluid transition for Bazadona with credits that include co-editor on Green Day’s “Oh Love” directed by Sam Bayer and the CFDA Fashion Fund film directed by Jun Diaz, a collaboration with Andres Cortes on “Rehearsal Space” featuring Lee Renaldo from Sonic Youth, and the recent Panda Designer video. Each of these projects demonstrates Bazadona’s love of editing projects with distinct visual style set to music. In 2015, he cut Scott McFarnon’s “Crazy Heart” directed by Floyd Russ, which highlights the stark reality of human trafficking in America. In the commercial realm, Bazadona has contributed his editing talent to a diverse collection of projects for clients Mercedes-Benz, Kobe Bryant, Verizon Wireless and Blue Apron. 

    Jobin’s career was forged at Cut+Run; she joined the company shortly after Bazadona, working in client service and reception. She quickly became involved in projects, assuming the role of producer and eventually sr. producer. As head of production, Jobin will oversee Cut+Run’s NY producer team and all facets of the postproduction process in a management capacity. 

     

    Tags:Adam BazadonaCut+RunEllese Jobin



    Robert Eggers and Willem Dafoe Reunite For “Nosferatu”

    Tuesday, December 24, 2024

    When Willem Dafoe enjoys working with a filmmaker, he'll often jump at the chance to do it again.

    The list of directors with whom the 69-year-old has worked with more than once is extensive, including Wes Anderson,Yorgos Lanthimos,Paul Schrader,Lars von Trier and, now for a third time, Robert Eggers. "If it's good, you come back," Dafoe said plainly.

    The pair spoke about Eggers' adaptation of "Nosferatu" that hits theaters Wednesday, some of the challenges they faced making "The Lighthouse" — their first project together released in 2019 — and the unique relationship that exists between actors and directors.

    The interview has been edited for clarity and brevity.

    Q: Willem, I read that you called Robert after you saw "The Witch." What did you say?

    DAFOE: I want to meet you and I want to know who this filmmaker is.

    Q: What is it about him that keeps bringing you back?

    DAFOE: Well, if it's good, you come back. When I saw "The Witch," I thought, "Wow, this is a film about a period that I'm not particularly knowledgeable about, but I enter it so easily. This is relevant. It's rooted. It's my story. I'm with these people."

    That's quite an incredible trick because a lot of period films, they're always pointing to themselves. They're always sending messages. They're always showing. This had a kind of energy and the kind of physicality and sensuality that I thought, "Who does this? I gotta see this guy." And then I had a wonderful experience in "The Lighthouse" and I played a part that was really fun in "The Northman." So, when he wants to do this passion project and offers me this beautiful role of Professor Von Franz, I say,... Read More

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