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    Cristian Mungiu Takes A Village To Cannes, Probes Us-Vs.-Them Crisis In “R.M.N.”

    By SHOOTUpdated:No Comments1822 Views
    Orsolya Moldovan, from left, Marin Grigore, Macrina Barladeanu, director Cristian Mungiu, Judith State, and Maria Dragus pose for photographers upon arrival at the premiere of the film 'R.M.N.' at the 75th international film festival, Cannes, southern France, Saturday, May 21, 2022. (AP Photo/Daniel Cole)

    By Jake Coyle, Film Writer

    CANNES, France (AP) --

    Cristian Mungiu's Cannes Film Festival entry "R.M.N." is set in an unnamed mountainous Transylvanian village in Romania, but the conflicts of ethnocentricity, racism and nationalism that permeate the multi-ethnic town could take place almost anywhere.

    Of all the films competing for the top Palme d'Or prize at Cannes, none may be quite as of the moment as "R.M.N." The movie, using a Romanian microcosm, captures the us-vs-them battles that have played out across Europe and beyond, wherever immigration and national identities have collided.

    Mungiu, the celebrated Romanian filmmaker of the landmark 2007 abortion drama "4 Months, 3 Weeks and 2 Days," has long been accustomed to his films being written off as grim portraits of a faraway Eastern Europe. It's a caricature he rejects, especially when it comes to "R.M.N."

    "Whenever journalists interpret that it's yet again another somber painting of this country, well, it's not about that country — or not only about that country," Mungiu told reporters Sunday. "It's good to check your own elections in your own countries."

    When a local bakery in need of workers — most of the town's men have gone abroad to find work — hires a few men from Sri Lanka, a Romanian village's already complicated mix of ethnicities — Romanian, Hungarian, German — turn increasingly volatile.

    But "R.M.N.," which features a powerhouse 17-minute single shot of a contentious town meeting, from the start teases at the question of who, exactly, is an outsider and who gets to define tradition. In the end, even the village's local bears could be said to have their say.

    "What is tradition? We do something because someone did this before. But why precisely do we do is this?" Mungiu said. "If you dig deep down, it's a way of fighting back the fear you have of something. It's a way of unleashing these violent impulses that you have."

    "I'm sorry to say this, but we are a very, very violent species of animal. And we need very, very little to identify an enemy as other," added Mungiu. "You can see this today in the war in Ukraine."

    Category:News
    Tags:Cannes Film FestivalCristian MungiuR.M.N.



    Is “Glicked” The New “Barbenheimer”? “Wicked” and “Gladiator II” Hit Theater Screens

    Thursday, November 21, 2024

    "Barbenheimer" was a phenomenon impossible to manufacture. But, more than a year later, that hasn't stopped people from trying to make "Glicked" — or even "Babyratu" — happen.

    The counterprogramming of "Barbie" and "Oppenheimer" in July 2023 hit a nerve culturally and had the receipts to back it up. Unlike so many things that begin as memes, it transcended its online beginnings. Instead of an either-or, the two movies ultimately complemented and boosted one another at the box office.

    And ever since, moviegoers, marketers and meme makers have been trying to recreate that moment, searching the movie release schedule for odd mashups and sending candidates off into the social media void. Most attempts have fizzled (sorry, "Saw Patrol" ).

    This weekend is perhaps the closest approximation yet as the Broadway musical adaptation "Wicked" opens Friday against the chest-thumping sword-and-sandals epic "Gladiator II." Two big studio releases (Universal and Paramount), with one-name titles, opposite tones and aesthetics and big blockbuster energy — it was already halfway there before the name game began: "Wickiator," "Wadiator," "Gladwick" and even the eyebrow raising "Gladicked" have all been suggested.

    "'Glicked' rolls off the tongue a little bit more," actor Fred Hechinger said at the New York screening of "Gladiator II" this week. "I think we should all band around 'Glicked.' It gets too confusing if you have four or five different names for it."

    As with "Barbenheimer," as reductive as it might seem, "Glicked" also has the male/female divide that make the fan art extra silly. One is pink and bright and awash in sparkles, tulle, Broadway bangers and brand tie-ins; The other is all sweat and sand, blood and bulging... Read More

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