Perhaps the most significant lesson from last year’s One Club-launched inaugural Creative Week New York City was the need to reach out beyond one’s sphere. That was the assessment from Kevin Swanepoel, president of The One Club, when asked what was learned and has since been applied to the upcoming second annual Creative Week NYC, slated for May 10-16.
“That first year’s event was driven by ourselves and by close partners of The One Club right out of the gate,” related Swanepoel. “While that helped the event get established, we soon realized that to widen its reach and make it more relevant we had to embrace the other nonprofit organizations like us that work with creatives. We established an advisory board, tapping into people throughout the creative community to help us do just that. This event is not meant to be about The One Club. This event is not about making money. Its spirit is to celebrate creativity in New York in all its forms. The only way to do that is to bring more groups on board.”
While The One Show Festival brings a cross-section of creatives and artisans to New York during Creative Week NYC, expanding the drawing power are other varied attractions such as the New York Photo Festival, the Brooklyn Art Project, walking tours of Manhattan offering historical perspectives, tours of NYC advertising and design agencies, special museum and art gallery exhibits, a Mad Men presentation screening at The Paley Center for Media in which the series creators and stars reflect on the show, a screening of The One Club-commissioned documentary Art & Copy (directed by Doug Pray of Oil Factory) chronicling the contributions of ad industry pioneers (also held at The Paley Center), the first annual Copywriters Poetry Smackdown at the Bowery Poetry Club, and live musical performances.
Also on tap is SHOOT‘s 8th annual New Directors Showcase Event at the DGA Theatre in New York on Tuesday, May 11. As part of Creative Week, SHOOT had been asked to consider moving its evening Showcase event from its traditional late May date up a few weeks to coincide with Creative Week. SHOOT publisher, Roberta Griefer, agreed to hold the event during Creative Week and was invited to join the Creative Week advisory committee. SHOOT has added a daytime agenda this year, called the SHOOT Directors Symposium that will take place before the evening New Directors Showcase Event, which will feature notable directors, cinematographers, agency creatives, industry executives and other artisans discussing issues of the day, new technologies, mentoring and education of talent, and varied forms of advertising/ entertainment content that are emerging.
Swanepoel referred to the SHOOT events as being of particular appeal to The One Club’s constituents, including the creative directors and art directors who are involved in commercials, film and other content forms. “There’s a definite interest in the New Directors Showcase and a lot of traction created by that event and the Symposium for our constituents during Creative Week,” he related.
Key in the growth for the overall weeklong event next month and in the years to come is the recent proclamation from NYC Mayor Michael Bloomberg formally recognizing Creative Week NYC. “Going forward into year three, this will mean a lot in terms of gaining more involvement from the creative community, museums and the arts throughout the city,” said Swanepoel. “This will lead to other organizations and partners going forward. We’re even now seeing people holding their own events to plug into Creative Week, It’s taking on a life of its own.”
Swanepoel added that this year’s Creative Week could draw upwards of 12,000 to 13,000 people, roughly double the attendance in ’09. “And our plans are to step up our organizing efforts for next year and beyond,” said Swanepoel. “For this year, we started to organize back in October or November of 2009. Once this year’s event is wrapped, we will begin organizing in June for Creative Week in 2011.”
Netflix Series “The Leopard” Spots Classic Italian Novel, Remakes It As A Sumptuous Period Drama
"The Leopard," a new Netflix series, takes the classic Italian novel by Giuseppe Tomasi di Lampedusa and transforms it into a sumptuous period piece showing the struggles of the aristocracy in 19th-century Sicily, during tumultuous social upheavals as their way of life is crumbling around them.
Tom Shankland, who directs four of the eight episodes, had the courage to attempt his own version of what is one of the most popular films in Italian history. The 1963 movie "The Leopard," directed by Luchino Visconti, starring Burt Lancaster, Alain Delon and Claudia Cardinale, won the Palme d'Or in Cannes.
One Italian critic said that it would be the equivalent of a director in the United States taking "Gone with the Wind" and turning it into a series, but Shankland wasn't the least bit intimidated.
He said that he didn't think of anything other than his own passion for the project, which grew out of his love of the book. His father was a university professor of Italian literature in England, and as a child, he loved the book and traveling to Sicily with his family.
The book tells the story of Don Fabrizio Corbera, the Prince of Salina, a tall, handsome, wealthy aristocrat who owns palaces and land across Sicily.
His comfortable world is shaken with the invasion of Sicily in 1860 by Giuseppe Garibaldi, who was to overthrow the Bourbon king in Naples and bring about the Unification of Italy.
The prince's family leads an opulent life in their magnificent palaces with servants and peasants kowtowing to their every need. They spend their time at opulent banquets and lavish balls with their fellow aristocrats.
Shankland has made the series into a visual feast with tables heaped with food, elaborate gardens and sensuous costumes.... Read More