M&C Saatchi LA has brought creative director Norman Brown on board. He joins the agency’s creative leadership and will work alongside M&C Saatchi LA ECD Maria Smith.
Brown–who had been at MullenLowe in El Segundo, Calif., working on Acura and Facebook Marketplace–brings 15-plus years of ad experience to his new roost, with a focus on art direction and design solutions for brands worldwide.
“M&C Saatchi’s ethos ‘Brutal Simplicity of Thought’ is the essence of impactful design and something that I strive for in my work, so it is a welcome opportunity to be surrounded by others who operate with this belief,” commented Brown. “It’s a culture fueled by entrepreneurs and creative thinkers who see clients as partners in the process of uniting strategy and design to build brands.”
Practically born into advertising, Brown’s mother was an agency VP/director of broadcast and print traffic who fostered his appreciation for film and fine arts. Photography, an ever-present pursuit and influence, led him to film school and the entertainment industry. Brown’s vast experience with visual artistry for brands began after graduating from Cal Arts when he joined the Attik in San Francisco. He returned to Los Angeles with an intensified appreciation for design thinking having grown into the art director and sr. art director roles.
Over the years, Brown has turned concepts into comprehensible products and brand elevating engagements for Subaru, Honda, Lexus, Real California Milk, Sprint, The Delano Hotel and others via agencies Deutsch, RPA, Team One and Mullen Lowe, as well as in-house at Uber. One of the most personally gratifying projects, he recalled, was a multi-platform campaign for Lexus that encouraged real connections and meaningful interactions. It culminated with a December To Remember snow day and fundraiser benefiting the Boys & Girls Club.
“Advertising has the power to help ideas grow into something beautiful, whether connected to a cause, developing identity, or expanding perception,” he said. “Maria and the entire team at M&C Saatchi share an appreciation for building things that are ownable and meaningful, be it for business objective or social good. That makes for an inspiring place to be.”
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More