Craft, a global marketing production and adaptation agency and a division of McCann Worldgroup, has promoted Shay Fu to managing director of Craft North America. Shay will continue to report to Craig Smith, Craft’s chief information and operations officer.
Fu joined Craft in 2013 as EVP/head of integrated operations, Craft New York, successfully growing the NY studio operations across all disciplines and building its digital production capabilities. Most recently, Fu extended her role to oversee production operations in the U.S. and Canada as head of studio operations across Craft’s North America network.
In her new role as managing director, Craft North America, Fu will retain responsibility for studio operations. Fu will also work under the strategic direction of Craft’s chief client officer, Simon Sikorski, and McCann Worldgroup’s North American leadership to nurture and grow all aspects of clients’ integrated production needs. She will build upon relationships with Craft’s regional and global clients such as Microsoft, L’Oréal and Coca-Cola.
“Under Shay’s leadership and direction, studio performance in North America has improved dramatically,” said Smith. “Her extensive experience in delivering production solutions together with her ability to build strong relationships with our key clients makes her perfectly suited to this key role within Craft.”
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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