Cooke Optics has made a major investment in two facilities. Crest Rise, a nearly 6,500 square foot production facility located near the existing factory in Leicester, U.K., was specifically commissioned to facilitate a fast introduction of the new S8/i FF T1.4 range, with the aim of achieving annual outputs significantly in excess of any previous Cooke product range. The S8/i FF spherical lenses, at T1.4, are among the fastest lenses available for full frame capture, providing cinematographers with excellent low light performance as well as great control over depth of field for full frame production. In response to customer feedback, they are also smaller and lighter than contemporary Cooke lenses, while producing optimal image quality and pleasing images that convey the sought-after Cooke Look.
This product range requires a different methodology to produce than other Cooke lenses, as it has been specially designed for the digital camera environment. The facility has adopted a three-tier level approach to environmental control, with all areas positively pressured to minimize contamination during the assembly processes. It features specific modulation transfer function, projection and camera tests, all employed to ensure that the lenses are finely tuned to exact parameters, but without losing hand-built craftsmanship. The facility has been designed with expansion in mind, ready for the implementation of the remaining focal lengths that will make up the complete S8/i FF range of 16 lenses, and Cooke has recruited an additional 12 staff into the assembly process, with a further six staff into the glass production group.
Cooke is also opening a new Creative Centre located at Chaowai SOHO, in the Chaoyang district of Beijing, headed by technical sales manager Anson Gil Mercado. It incorporates an in-house studio where customers can test a wide variety of Cooke lenses, as well as meeting rooms and a lounge area for events. This is the second regional Cooke facility to open in recent months, following the launch of the Burbank, Calif. facility in July.
Cooke Optics CEO Tim Pugh said, “Facilities that improve production and regional outreach are the cornerstone to better supporting our customers worldwide. The S8/i FF production facility will allow us to get premium lenses into the hands of our customers far quicker than has been achieved previously, while our new Creative Centre in Beijing allows local filmmakers to try out our different lens ranges in a relaxed environment, with experts on hand.”
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More