Company 3 (CO3), a subsidiary of Deluxe Entertainment Services Group Inc., has announced the integration of Deluxe 142’s London-based Digital Intermediate (DI) facility into its network of locations.
The addition extends the reach of Company 3’s operations into Europe, complementing its existing New York, Atlanta and Santa Monica locations. Company 3 in London will be overseen by Stefan Sonnenfeld, Company 3 president/co-founder and president of Deluxeยฎ Creative Services, with day-to-day operations to be led by Patrick Malone, director of digital film services.
“Having a new location based out of London is especially exciting for CO3….The addition of these DI suites will open the door for UK-based feature clients who want to finish at Company 3,” said Sonnenfeld. “It also further expands opportunities for the growing number of features that need to spread postproduction services across both US and UK locations.”
The London location has two DI theaters featuring DaVinci Resolve R350 digital grading systems and 2K Barco projectors that mirror those installed at Company 3’s U.S. locations. This enables the global team to work together to offer a true end-to-end solution from dailies through to deliverables. The London facility is also equipped to work in partnership with Company 3’s sister facility, EFILM.
Sonnenfeld added, “We’ve been working closely with the team in the UK for years and they are world class, having already worked on several high-profile blockbusters including One Day, Scott Pilgrim vs. The World and Prince of Persia: The Sands of Time. The collaboration of talent, knowledge and seamless workflows across Deluxe’s Creative Services group is key to providing the best experience for our clients where ever they are located.”
Company 3’s London DI service will remain an integral part of the suite of services offered by Deluxe 142 which will continue to offer a complete end to end post production solution to their client base spanning the broadcast and feature film market.
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members โ played fiercely by Sophie Thatcher and Chloe East โ are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion โ and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood โ who also... Read More