Cutters Tokyo has added colorists Ben Conkey and Pete Ritchie, and editor Nathan Pickles.
Conkey and Ritchie go back a long way. Ritchie worked under Ben’s father Michael Conkey, founder of the Iloura post houses in Melbourne and Bangkok, Finito Films’ two offices in Bangkok and Kuala Lumpur, and Fin Design + Effects in Sydney. Cutters Tokyo’s new colorists also share Australasian roots and global resumes, having worked for two decades alongside A-list directors, clients and agencies worldwide. Both have graded commercials, music videos, shorts and feature films, and bring the artist’s passion and the craftsman’s discipline to the table.
Pickles is an editorial entrepreneur. At 26, he founded his own editing house in London. Soon after, he was contributing to award-winning music videos and iconic campaign spots for clients such as Vodafone, Heineken and MasterCard.
“It’s always a great time to bring on exceptional talent,” said Cutters Tokyo’s managing director/editor Ryan McGuire. “These days, more and more of the commercial filmmaking is handled by the editor and the post house. We are now even better prepared to continue servicing this brave new world of advertising.”
As editorial inquiries from Japan continue to grow, and with China and Southeast Asia expanding, Cutters Tokyo is building its talent and resources to meet the region’s demand for a leading postproduction studio and creative center.
Cutters Tokyo’s executive producer Timo Otsuki said of Conkey, Ritchie and Pickles, “These guys have multicultural backgrounds and reams of experience, and they’re the very best at what they do. The fact that they love Japan cinches the deal.”