Christie continued its technology partnership recently with the University of Southern California’s School of Cinematic Arts (USC SCA) by launching a state-of-the-art cinema experience at USC’s showcase Theatre, the Eileen Norris Theatre. Christie, through a donation of equipment and installation services, will be the sole provider of all cinematic and audio equipment within the Eileen Norris Theatre, and will be working together with USC SCA in enhancing visual technologies, specifically cinematic ones.
The Eileen Norris Cinema Theatre is a 341-seat motion picture theatre set within the campus of USC and adjacent to the Cinematic Arts Complex in Los Angeles. It is home to some of the School of Cinematic Arts’ largest classes and is the primary theatre often used for large guest movie premieres and screenings of major Hollywood and international films at USC.
The Norris Theatre has undergone a total renovation of its projection and audio equipment, and with the help of Christie’s Professional Services team, will now showcase movies with the most immersive projection and audio system available. Highlighting the theatre will be the Christie Solaria Series DLP CP4230 4K projector. This 4K series projector is prepared for the next generation of digital cinema. The theatre is now also outfitted with a complete Christie Vive Audio system, utilizing over 40 different speakers, sub-woofers, and amps. The Vive S218 and S215 subwoofer, LA3 and LAC3 line array speakers, as well as the LA45 and LA4C speakers, are all installed and complement the Theatre’s Dolby Atmos installation.
Christie Vive is specially configured to meet Dolby Atmos sound technology requirements. Filmmakers use Dolby Atmos to place and move sounds anywhere in the movie theatre, including overhead, to make film audiences feel as if they are inside the movie and not merely watching. Altogether, Christie has delivered to USC a solution to drive a captivating and unique experience that will give theatrical viewers a unique and truly immersive movie experience.
Christie has been working with USC SCA in a philanthropic effort to provide not only current cinematic projection equipment, but also cutting-edge technological visual solutions for the school’s recently constructed Interactive Media Building. Through the working relationship with the university, Christie plans to further its donation efforts and become the primary technology provider for the school.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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