Emma Ryan comes aboard as sr. strategist
Chris Plehal and Emma Ryan have joined NY-based agency OBERLAND as VP, creative director, and sr. strategist, respectively. Plehal was most recently at Red Tettemer O’Connell & Partners in Philadelphia, while Ryan comes over from IPG’s Gotham.
Plehal reports to Lisa Topol, managing partner and executive creative director, with whom he worked earlier at JWT (now Wunderman Thompson), while Ryan reports to Kate Charles, managing partner and chief strategic officer, with whom she worked at Lippe Taylor.
A graduate of Dartmouth, Plehal has created work for such brands as Google, YouTube, Macy’s, Diageo, Kellogg’s, JetBlue, Chevrolet and many more. His ads have been recognized with Cannes Lions, One Show Pencils, Clios, Effies and Webbys, among other honors. He got his start at Hill Holliday in Boston before joining JWT in New York. Prior to joining Red Tettemer, he was with co:collective, and was also on staff at Google Creative Lab.
Beyond advertising, Plehal has created content for other media genres and platforms. This includes writing “Yes Virginia, There is a Santa Claus,” an animated holiday special that airs annually on CBS, as well as content for the Travel Channel, Cartoon Network, Food & Wine and Headspace.
“I first met Chris well over a decade ago, when I was a creative director at JWT and he was on our team,” said Topol. “But long after I left, I remembered Chris as a standout thinker able to write across different tones with equal capability. He could transform a standard brief or insight into something far more surprising, and he just stuck with me as someone I admired and loved working with. Perhaps most importantly, he also re-created the entire ‘Lord of the Rings’ trilogy with LEGOs to raise money for Partners in Health during the pandemic. I was totally gonna do that, but my dog ate my LEGOs.”
Plehal said that purpose and social activism have always been important to him, dovetailing with OBERLAND’s work for purpose-driven brands. “I’ve tried to use my advertising powers for good rather than evil, as much as I can,” he quipped, but pointed out that there are limited opportunities to do so at most agencies. “Usually it’s on pro bono projects or brands that are genuinely committed to purpose-driven marketing. But often, you end up asking yourself, what am I really doing here? What’s my ultimate contribution to the state of the world by doing this?”
When he learned that Topol had joined OBERLAND, it gave him pause. “For her to make that choice meant something to me about what she wanted out of her career,” he stated. “And I felt like it might be a great time to join forces and do some really amazing work for clients that matter.
“My goal here is to be able to do things I find creative, fulfilling and exciting, working with smart, interesting people on brands we believe in and that are making the world a better place,” he continued. “And that’s aligned with what Bill Oberlander and Drew Train intended when they launched OBERLAND, and what Lisa and Kate Charles are helping them build as partners. I don’t know how many opportunities you get to do that kind of thing, while still making a living and working with the caliber of people you find here. I just couldn’t pass it up.”
Sr. strategist Ryan had most recently been at Gotham, part of McCann Worldgroup. A graduate of the Newhouse School at Syracuse University, Ryan got her start working on the analytics side before moving over to strategy.
“Emma helped me build the planning function at Lippe Taylor, and brings a purpose lens to everything she does,” said Charles. “She’s trained in analytics, research and strategy, which makes her a wonderful storyteller and curious planner. She’s spent the last year on L’Oréal work at Gotham. We’re excited to have her.”
Ryan was motivated to join OBERLAND for several reasons, noting, “First off, I wanted to work with Kate again, so that was a big lure. And personally, the world feels like it’s falling apart more each day. To make a difference, however small, in an industry that often feels purposeless really interested me. And their client list attracted me, too. It was just time to do something a little different with my career.”
Initially working on public relations, Ryan was attracted to advertising, she explains, by “its ability to connect with people in a deeper way. There’s an ability for brands to own their stories now in a more authentic manner.”
As for embracing the purpose-driven approach, Ryan said simply, “it’s the wave of the future. Coming from analytics, I’ve done a lot of research on Gen Z, in addition to being one myself. They’re values-driven consumers, and for them, brands need to toe the line. So the smart brands should jump into purpose head-first, if they haven’t already started already. It’s going to be a true differentiator.”
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More