Digital marketing agency Organic has hired Chris Jones as executive creative director. Jones will oversee the creative output for the Organic San Francisco office across a number of clients, including recently won business for Quaker and Constellation Brands.
Jones joins Organic from Razorfish London, where he was responsible for design, information architecture, motion graphics and content strategy as creative director. He also managed creative leadership for clients including Audi and O2.
Prior to this role, Jones worked as experience director at Avenue A (now Razorfish). During his time at Avenue A, Jones built a design and user experience team that pitched and delivered work for McDonald’s, the Financial Times, and Samsonite. Throughout his career, he has held a number of design positions as a sr. designer to interface and motion graphics designer. Jones has worked across a number of categories spanning: automotive, telecommunications, publishing, travel and retail.
Additionally Organic has added Drew Myers as sr. VP, client services lead. Meyers will be based out of San Francisco and oversee Organic’s client relationships on the West Coast including: Intel, Walmart, Visa, Nike, Quaker and Constellation. Meyers comes over to Organic from Publicis Modem/Riney San Francisco.
Hwang Dong-hyuk On Season 2 of “Squid Game,” Wrapping Production on Season 3; What’s Next?
Viewers may gasp, cringe or cry out watching characters die on Netflix's "Squid Game," but those simulated deaths have a different effect on its creator, writer and director. Instead, Hwang Dong-hyuk feels happiness seeing them go.
The show has a huge cast and Hwang says it was "really difficult" to manage everyone on set.
As characters would die, Hwang recalls saying to the actors on their last day, "'Oh no! How sad! I won't see you tomorrow,' but I was always smiling inside."
"Squid Game" season two premieres Thursday. It once again stars Lee Jung-jae and centers around a secret competition in South Korea that targets people in debt and the winner gets a big cash prize. What they don't know is that losing the game is deadly.
Hwang originally conceived of the show 15 years ago as a two-hour film but it failed to gain traction with financiers or even interested actors. He put it aside and worked on other films instead. He then had the idea to make it a TV series instead and took the project to Netflix. There, it could reach a wide audience.
"I never in my wildest dream thought it was going to be this huge," said Hwang, who spoke about the show and what comes next. Answers have been edited for clarity and length.
Q: What have you learned from "Squid Game"?
HWANG: I learned that I shouldn't give up. If you love something and if you want to create something, it might not work now, but the time might come later. Or that idea could be the source of inspiration for something else.
Q: You've already finished filming season three of "Squid Game." Have you thought about what your next project will be?
HWANG: I'm afraid to talk... Read More