Darius Marder takes debut feature film honor for "Sound of Metal"
By Robert Goldrich
LOS ANGELES --Director Chloé Zhao won the marquee honor at the Directors Guild of America (DGA) Awards for Nomadland (Searchlight Pictures). She becomes the second woman–and the first woman of color–to earn the top DGA prize. Kathryn Bigelow was the first woman director to score the kudo for 2090’s The Hurt Locker.
In her acceptance remarks via Zoom during Saturday night’s (4/10) virtual ceremony, Zhao paid tribute to each of her fellow nominees: Lee Isaac Chung for Minari; Emerald Fennell for Promising Young Woman; David Fincher for Mank; and Aaron Sorkin for The Trial of the Chicago 7.
Zhao said Chung’s Minari touched her on a deeply personal level, movingly conveying “beauty and love” within a family.
She cited Fennell’s deft control of craft, being so “brilliant and daring” with “a unique voice,” adding, “I can’t wait to see what thought provoking journey you’re going to pick up on next.”
Zhao told Sorkin, “I can feel my heart beating with yours when I watch your film.”
And she described all of Fincher’s movies as “a master class” in filmmaking and storytelling, crediting him with capturing some of “the most nuanced and humanistic performances” she’s ever seen.
With the DGA win, Zhao becomes the clear frontrunner for the Best Director Oscar. Only eight times in the DGA’s 70-year-plus history has the Guild winner not gone on to take the corresponding Oscar. She is among a group of Best Director Oscar nominees this year which also is comprised of Thomas Vinterberg for Another Round, along with Chung, Fennell and Fincher.
First-time feature, documentary, TV winners
Winning the DGA Award for Outstanding Achievement of a First-Time Feature Film Director was Darius Marder for Sound of Metal (Amazon Studios). He topped a field consisting of fellow nominees Radha Blank for The Forty-Year-Old Version, Fernando Frias de la Parra for I’m No Longer Here, Regina King for One Night in Miami…., and Florian Zeller for The Father.
Topping the Documentary category were Michael Dweck and Gregory Kershaw for The Truffle Hunters (Sony Pictures Classics).
Among the DGA winners across TV categories were: Leslie Linka Glatter in the Dramatic Series category for the Homeland (Showtime) “Prisoners of War” episode; Susanna Fogel in Comedy Series for the “In Case of Emergency” episode of The Flight Attendant (HBO); Scott Frank in Limited Series for The Queen’s Gambit (Netflix); Don Roy King for Variety on the strength of the “Dave Chappelle, Foo Fighters” installment of Saturday Night Live (NBC); Thomas Schlamme in Variety Specials for A West Wing Special to Benefit When We All Vote (HBO Max); Joseph Guidry in Reality Programs for the “Petal to the Metal” episode of Full Bloom (HBO Max); and Amy Schatz in Children’s Programs for We Are the Dream: The Kids of the Oakland MLK Oratorical Fest (HBO).
Winning the DGA Award for Outstanding Directorial Achievement in Commercials was Melina Matsoukas of PRETTYBIRD for Beats by Dr. Dre’s “You Love Me” (see separate story here).
Special honors
Director and past DGA president Paris Barclay was the recipient of the DGA Honorary Life Member Award in recognition of leadership in the industry, contribution to the Guild and the profession of directing, and outstanding career achievement.
Betty Thomas received the Robert B. Aldrich Award recognizing extraordinary service to the Guild.
Brian E. Frankish received the Frank Capra Achievement Award, which is given to an assistant director or unit production manager in recognition of career achievement in the industry and service to the DGA.
And Joyce Thomas received the Franklin J. Schaffner Achievement Award, which is given to an associate director or stage manager in recognition of service to the industry and to the DGA.
Here’s a full category-by-category rundown of this evening’s DGA Award winners:
OUTSTANDING DIRECTORIAL ACHIEVEMENT IN THEATRICAL FEATURE FILM FOR 2020
Chloé Zhao
Nomadland
(Searchlight Pictures)
Ms. Zhao’s Directorial Team:
Unit Production Manager: Mary Kerrigan
First Assistant Director: Mary Kerrigan
OUTSTANDING DIRECTORIAL ACHIEVEMENT OF A FIRST-TIME FEATURE FILM DIRECTOR FOR 2020
Darius Marder
Sound of Metal
(Amazon Studios)
Mr. Marder’s Directorial Team:
Unit Production Manager: Amy Greene
First Assistant Director: Matthew Vose Campbell
DOCUMENTARY
MICHAEL DWECK & GREGORY KERSHAW
The Truffle Hunters
(Sony Pictures Classics)
TELEVISION
DRAMATIC SERIES
LESLI LINKA GLATTER
Homeland, “Prisoners of War”
(Showtime)
Ms. Glatter’s Directorial Team:
Unit Production Managers: Michael Klick, Philippa Naughten
First Assistant Director: Sunday Stevens
Second Assistant Director: Wendy Bledsoe
COMEDY SERIES
SUSANNA FOGEL
The Flight Attendant, “In Case of Emergency”
(HBO Max)
Ms. Fogel’s Directorial Team:
Unit Production Manager: Bonnie Muñoz
First Assistant Director: Derek Peterson
Second Assistant Director: Jacquie Dore
Second Second Assistant Director: Zach Citarella
Location Manager: Chris Banks
MOVIES FOR TELEVISION AND LIMITED SERIES
SCOTT FRANK
The Queen’s Gambit
(Netflix)
Mr. Frank’s Directorial Team:
First Assistant Director: Aldric La’auli Porter
VARIETY/TALK/NEWS/SPORTS – REGULARLY SCHEDULED PROGRAMMING
DON ROY KING
Saturday Night Live, “Dave Chappelle; Foo Fighters”
(NBC)
Mr. King’s Directorial Team:
Associate Directors: Michael Mancini, Michael Poole, Laura Ouziel-Mack
Stage Managers: Gena Rositano, Chris Kelly, Eddie Valk
VARIETY/TALK/NEWS/SPORTS – SPECIALS
THOMAS SCHLAMME
A West Wing Special to Benefit When We All Vote
(HBO Max)
Mr. Schlamme’s Directorial Team:
Unit Production Manager: Debra James
First Assistant Director: Shawn Pipkin-West
Second Assistant Director: Courtney Franklin
Second Second Assistant Directors: Ni’cole Pettis, Cathy Bond
REALITY PROGRAMS
JOSEPH GUIDRY
Full Bloom, “Petal to the Metal”
(HBO Max)
Mr. Guidry’s Directorial Team:
Associate Director: Sean Galvin
Lead Stage Manager: Jimmy Chriss
Stage Managers: Rachel Shimko, Kristianna Laroda, Richard Melendez
CHILDREN’S PROGRAMS
AMY SCHATZ
We Are the Dream: The Kids of the Oakland MLK Oratorical Fest
(HBO)
COMMERCIALS
MELINA MATSOUKAS
(Prettybird)
You Love Me, Beats by Dr. Dre – Translation
First Assistant Director: Paul Norman
Second Assistant Director: Don Johnson
Changes Afoot For Cannes Lions 2025, Including Increasing Festival Access For Underserved Communities
The Cannes Lions International Festival of Creativity is putting plans in motion for its 72nd edition, set to take place from June 16-20, 2025 in Cannes, France. The Festival has announced that it will double funding to provide €2m (some $2,150,000) worth of complimentary passes to underrepresented talent and underserved communities through its Equity, Representation and Accessibility (ERA) Pass, returning for a second year.
Frank Starling, chief DEI officer, Lions, said the increased investment was “crucial to continue to drive progress for both Cannes Lions and the industry.” Starling added, “The ERA pass plays an important role in fostering a global representation of talent within the creative communications industry at Cannes Lions, and to date our funded opportunities have reached creatives in 46 countries globally. With the Festival being the destination for everyone in the business of creativity, we recognize the importance of creating equitable access to it, and this is why we’re prioritizing increased representation from the Global South to support a greater range of voices and perspectives from the region at the Festival.” Applications for the ERA pass are open now and close on December 5, 2025. More details can be found here.
With submissions into the Cannes Lions Awards opening on January 16, 2025, innovations to the Awards have also been announced today. Glass: The Lion for Change celebrates 10 years since its introduction. The Glass Lion was launched to champion work that used creativity to drive a shift towards more positive, progressive and gender-aware communication, and Marian Brannelly, global... Read More