Chipotle Mexican Grill has announced plans to launch Farmed and Dangerous, a Chipotle original comedy series that satirically explores the world of industrial agriculture in America. Produced by Chipotle and Piro, a New York- based studio known for its work in film and television, the initial four-episode season will be presented weekly on Hulu and Hulu Plus beginning Monday, Feb. 17. The show integrates Chipotle’s values and commitment to serving food made with the highest quality ingredients through the content and themes of the show itself, without any explicit Chipotle branding.
Farmed and Dangerous satirizes the lengths to which corporate agribusiness and its image- makers go to create a positive image of industrial agriculture. The first season focuses on the introduction of PetroPellet, a new petroleum-based animal feed created by fictional industrial giant Animoil. PetroPellet promises to reduce industrial agriculture’s dependence on oil by eliminating the need to grow, irrigate, fertilize and transport the vast amount of feed needed to raise livestock on factory farms. Before its new feed formula can forever reshape industrial agriculture, Animoil’s plans go awry when a revealing security video goes viral sending Animoil and their spin master, Buck Marshall (Ray Wise – Twin Peaks, Mad Men, 24) of the Industrial Food Image Bureau (IFIB), into damage control mode.
“Much of our marketing is aimed at making consumers more curious about where their food comes from and how it is prepared,” said Mark Crumpacker, chief marketing and development officer at Chipotle. “By making complex issues about food production more understandable — even entertaining — we are reaching people who have not typically been tuned into these types of issues.”
Farmed and Dangerous comes on the heels of two award-winning animated short films from Chipotle – 2013’s Scarecrow and 2011’s Back to the Start – both of which helped spark conversations about agriculture and industrial food production in entertaining ways. The initial season consists of four half-hour episodes, but the storyline is designed to be extended to additional seasons. The show stars Wise and Eric Pierpoint (Parks and Recreation, Big Love).
“Chipotle’s genuine mission to change the world of fast food is a great foundation for storytelling,” said Tim Piper, a partner at Piro and director of Farmed and Dangerous. “The characters and plot reflect Chipotle’s position on sustainable agriculture and enables Chipotle to communicate with more engagement than traditional advertising.”
Chipotle has a long-standing commitment to finding better, more sustainable sources for all of the ingredients it uses, including Responsibly Raised meats (from animals that are raised in a humane way and without the use of antibiotics or added hormones), local and organically grown produce, and dairy products from pasture-raised dairy cattle. The company has also taken on the issue of genetically modified organisms (GMOs) in food, becoming the first national restaurant company to voluntarily disclose the use of GMOs in its food, and the first to announce plans to eliminate GMOs from the ingredients it uses.
“We think of Farmed and Dangerous as a values-integration rather than typical product- integration,” said Crumpacker. “The show addresses issues that we think are important – albeit in a satirical way – without being explicitly about Chipotle. This approach allows us to produce content that communicates our values and entertains people at the same time.“
Piro partner, executive producer and co-creator of the show, Daniel Rosenberg added, “We hope the show inspires other brands to communicate through more strategic and entertaining creative that is really representative of who they are, and what they are doing to make a better world.”
The pilot episode of Farmed and Dangerous will be available for free on Hulu.com and via the Hulu Plus subscription service starting Feb. 17. Each additional episode will become available on the consecutive Mondays.
Farmed and Dangerous stars Wise, Pierpoint, John Sloan (The Glades, Grey’s Anatomy, How I Met Your Mother), and Karynn Moore (Jane by Design, Water for Elephants). Executive producers are Crumpacker, William Espey (brand voice lead at Chipotle), Rosenberg (Inside Man, Righteous Kill), and Timothy Piper (Dove Evolution, The Palace of Light); the show was written by Rosenberg, Piper, Mike Dieffenbach (Less Than Perfect, Retired at 35), and Jeremy Pisker (Academy Award nominee for Bullworth).
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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