By Beth Harris, Sports Writer
PASADENA, Calif. (AP) --The Super Bowl is turning 50, although the game played next month on America's informal national holiday will hardly be showing its age because of new gadgetry CBS Sports is debuting.
A replay system will give viewers a 360-degree perspective and higher resolution than previously ever seen for the game. Thirty-six cameras strung around the upper deck of Levi's Stadium in Santa Clara, California, can freeze the moment and revolve around the play before continuing to show the scene. Viewers on Feb. 7 will be able to check out the quarterback's view from the pocket to other players' perspectives on the field, and it can be animated, too.
"We tried it on a couple regular-season games and it looks remarkable," CBS Sports Chairman Sean McManus said Tuesday at a gathering of TV critics.
For the first time in a Super Bowl, CBS will use eight custom-molded pylons that house 16 cameras to film the goal lines and sidelines of both teams. The cameras also will have microphones embedded in them to enhance the game's natural sound. They were used in the College Football Playoff championship Monday.
The new technology could even influence the game. The officials are able to use any replays a network shows when they review a play.
During the game, the network will use the NFL's Next Gen stats that track how fast and far players run over the course of the day and matchup-based statistics between players.
CBS Sports is changing its logo for the first time in 35 years and updating its on-air graphics to debut during Super Bowl week.
Gayle King of "CBS This Morning" will conduct a live interview with President Barack Obama and his wife Michelle as part of the coverage.
McManus said planning for the event's landmark anniversary began five days after last year's game ended. CBS will be airing its 19th Super Bowl, the most of any network.
"We're pumped up about it," he said. "We can't wait for Super Bowl Sunday."
During game week at 8 p.m. nightly, CBS will air one-minute updates from either San Francisco or Santa Clara.
On game day, the network will air seven hours of programming using four sets: one on Market Street in downtown San Francisco and three from the stadium in Santa Clara (one outside near the tailgating area, one on the field and the main hosts on a concourse overlooking the field).
"We know the appetite is insatiable when it comes to football," pregame host James Brown said.
The game has grown dramatically since the first one Jan. 15, 1967, from the Los Angeles Memorial Coliseum.
Back then, there was a scant 30 minutes of pregame programming, one marching band at halftime, 11 cameras, two production trucks and "Lassie" aired directly afterward. Besides this year's massive pregame hype, British band Coldplay and Beyonce will perform at halftime, there will be 70 game cameras, 12 production trucks and the coveted post-game slot goes to "The Late Show with Stephen Colbert."
Jack Whitaker was part of the announcing team for the first game, calling it "this first meeting ever between the American Football League and National Football League." The term Super Bowl had yet to be popularized.
"It's not like it is today, but we thought it would be a very important game," said Whitaker, who at 91 is the only surviving member of the original four-man broadcast team that included Ray Scott, Frank Gifford and Pat Summerall.
CBS and NBC both carried the game, with Scott calling the first half and Whitaker handling the second. Whitaker recalled that NBC got caught in commercial when the second half began, so the teams re-did the kickoff.
The atmosphere around the big game has grown accordingly, too.
Phil Simms, who will call this year's game with Jim Nantz, remembered his first Super Bowl as a quarterback at the Rose Bowl in 1987.
"One of my linemen was crying and another was throwing up. That doesn't happen anymore," he said. "Today's players are so used to being on the stage, they can't wait to get on the stage. That's why we see such exciting plays and such great moments."
Meanwhile, the NFL is reviewing network bids for the rights to Thursday night games after the first two years aired on CBS. McManus said the league sought proposals for either an exclusive package or splitting the eight weeks of games between networks.
"I think we have the advantage because the template is in place for CBS," he said. "I wouldn't call us the front runner."
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More