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    CBS Anchor O’Donnell Debuts Sans Ratings Fanfare; Nielsen Week In Review

    By SHOOTUpdated:No Comments2658 Views
    This image released by CBS shows Norah O'Donnell, host of the new "CBS Evening News with Norah O'Donnell." (Michele Crowe/CBS via AP)

    By David Bauder, Media Writer

    NEW YORK (AP) --

    CBS chose the middle of the summer for Norah O’Donnell to debut as “CBS Evening News” anchor, so probably should not be surprised that not too many people noticed.

    The Nielsen company said that 5.24 million people watched her newscast each day on average last week. That’s essentially unchanged from the week before, when Jim Axelrod was the substitute host and CBS was also a distant third in the ratings behind ABC’s “World News Tonight” and NBC’s “Nightly News.”

    Statistics being statistics, there are different ways you could look at O’Donnell’s performance. CBS says the numbers are trending up ever-so-slightly from the previous month.

    Yet compared to the same week a year ago, CBS was down 5 percent in viewers and even more sharply among viewers aged 25-to-54, the age group upon which most advertising sales for news programming are based. Year-to-year, NBC is also down 5 percent and ABC is up 1 percent.

    CBS News President Susan Zirinsky said the focus is on delivering journalism that impacts viewers, and pointed to interviews last week with top military commanders in the Middle East and O’Donnell’s reporting from the Texas-Mexico border. She also anchored from Florida on the 50th anniversary of the Apollo 11 launch.

    “Judging numbers after only one week is meaningless,” Zirinsky said.

    No matter how you look at the numbers, O’Donnell has her work cut out for her. ABC’s “World News Tonight” averaged 7.9 million viewers last week and the “NBC Nightly News” had 6.9 million viewers.

    Behind the dominant “America’s Got Talent,” NBC won the week in primetime, averaging 3.4 million viewers. ABC had 3.2 million, CBS had 2.9 million, Fox had 1.8 million, ION Television had 1.5 million, Telemundo had 1.2 million, Univision had 1.1 million and the CW had 670,000.

    Fox News Channel was the week’s most popular cable network, averaging 2.48 million viewers in primetime. MSNBC had 1.61 million, HGTV had 1.26 million, Hallmark had 1.19 million and TBS had 1.13 million.

    Below are primetime viewership numbers compiled by Nielsen for July 15-21. Listings include the week’s ranking and viewership.

    1. “America’s Got Talent,” NBC, 9.54 million.
    2. “60 Minutes,” CBS, 6.58 million.
    3. “The Bachelorette,” ABC, 6.48 million.
    4. “Celebrity Family Feud,” ABC, 5.52 million.
    5. “Bring the Funny,” NBC, 4.72 million.
    6. “The $100,000 Pyramid,” ABC, 4.64 million.
    7. “American Ninja Warrior,” NBC, 4.54 million.
    8. “Big Brother” (Sunday), CBS, 4.27 million.
    9. “America’s Funniest Home Videos,” ABC, 4.16 million.
    10. “Tucker Carlson Tonight” (Wednesday), Fox News, 4.03 million.
    11. “Big Brother” (Wednesday), CBS, 4.01 million.
    12. “Lion King: Can You Feel the Love Tonight,” ABC, 4 million.
    13. “Press Your Luck,” ABC, 3.9 million.
    14. “Big Brother” (Thursday), CBS, 3.81 million.
    15. “Dateline NBC” (Monday), NBC, 3.75 million.
    16. “Hannity” (Wednesday), Fox News, 3.69 million.
    17. “To Tell the Truth,” ABC, 3.57 million.
    18. “Blue Bloods,” CBS, 3.49 million.
    19. “Bull,” CBS, 3.41 million.
    20. “Hannity” (Thursday), Fox News, 3.35 million.

    ABC is owned by The Walt Disney Co.; CBS is a division of CBS Corp.; Fox is owned by 21st Century Fox; NBC is owned by NBC Universal.

    Category:News
    Tags:CBS Evening NewsNielsenNorah O'Donnell



    Raoul Peck Resurrects A Once-Forgotten Anti-Apartheid Photographer In “Ernest Cole: Lost and Found”

    Friday, November 22, 2024

    When the photographer Ernest Cole died in 1990 at the age of 49 from pancreatic cancer at a Manhattan hospital, his death was little noted.

    Cole, one of the most important chroniclers of apartheid-era South Africa, was by then mostly forgotten and penniless. Banned by his native country after the publication of his pioneering photography book "House of Bondage," Cole had emigrated in 1966 to the United States. But his life in exile gradually disintegrated into intermittent homelessness. A six-paragraph obituary in The New York Times ran alongside a list of death notices.

    But Cole receives a vibrant and stirring resurrection in Raoul Peck's new film "Ernest Cole: Lost and Found," narrated in Cole's own words and voiced by LaKeith Stanfield. The film, which opens in theaters Friday, is laced throughout with Cole's photographs, many of them not before seen publicly.

    As he did in his Oscar-nominated James Baldwin documentary "I Am Not Your Negro," the Haitian-born Peck shares screenwriting credit with his subject. "Ernest Cole: Lost and Found" is drawn from Cole's own writings. In words and images, Peck brings the tragic story of Cole to vivid life, reopening the lens through which Cole so perceptively saw injustice and humanity.

    "Film is a political tool for me," Peck said in a recent interview over lunch in Manhattan. "My job is to go to the widest audience possible and try to give them something to help them understand where they are, what they are doing, what role they are playing. It's about my fight today. I don't care about the past."

    "Ernest Cole: Lost and Found" is a movie layered with meaning that goes beyond Cole's work. It asks questions not just about the societies Cole documented but of how he was treated as an artist,... Read More

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