18 films to compete for the coveted Palme dโOr prize
Films by David Cronenberg, Park Chan-wook and Kelly Reichardt will vie for the coveted Palme d'Or at a Cannes Film Festival set to unspool against the backdrop of the war in Ukraine.
Cannes film festival artist director Thierry Frรฉmaux and president Pierre Lescure announced the lineup to this year's festival, Cannes' 75th, in a press conference Thursday in Paris. After cancelling the 2020 event and hosting a slightly scaled down 2021 edition, the French Riviera festival is looking to reclaim its pre-pandemic allure with some 35,000 accredited attendees expected next month.
The 18 films announced in Cannes' prestigious competition lineup feature new works by several former Palme winners, including Japanese filmmaker Hirokazu Kore-eda ("Broker"), Swedish social satirist Ruben Ostlund ("Triangle of Sadness") and Belgian brothers Jean-Pierre and Luc Dardenne ("Tori and Lokita").
Also in competition: Cronenberg's "Crimes of the Future," starring Lรฉa Seydoux, Kristen Stewart and Viggo Mortensen; Kelly Reichardt's "Showing Up," which reunites her with "Wendy and Lucy" star Michelle Williams; Chan-wook's Korean mystery thriller "Decision to Leave"; and French filmmaker Claire Denis' "Stars at Noon" with Margaret Qualley.
The 75th anniversary of the French Riviera film extravaganza "is happening in special circumstances: the pandemic, the war in Ukraine, a world that has changed and will keep changing," Fremaux said.
The biggest Hollywood splashes expected at Cannes had already been announced, including a screening of "Top Gun: Maverick," which will be accompanied by a tribute to star Tom Cruise. The "Top Gun" sequel will play out of competition, as will Baz Luhrmann's Elvis Presley biopic "Elvis," starring Austin Butler and Tom Hanks.
Organizers will announce the jury at a later date.
Cannes' international village of flag-waving pavilions annually hosts more than 80 countries from around the world. But organizers earlier said no Russian delegations would be welcome at the this year because of Russian President Vladimir Putin's invasion of Ukraine. Russian director, Kirill Serebrennikov, who recently fled Russia for Berlin after several years banned from travel, will premiere his latest film, about composer Pyotr Tchaikovsky
As usual, most of the directors in the competition are men. Only three of the 18 films competing for the Palme d'Or were directed by women. Last year, Julia Ducournau became only the second woman in Cannes history to win the top prize, for her film "Titane," the body-horror thriller.
The festival will open on May 17 with the premiere of the zombie comedy "Final Cut," by "The Artist" director Michel Hazanvicius. The film had earlier been scheduled to debut in January at the Sundance Film Festival but was pulled when the festival shifted to a virtual edition amid a virus surge.
Ethan Coen will debut his first feature without his brother, Joel, in the out-of-competition documentary "Jerry Lee Lewis: Trouble in Mind." Other highlights include George Miller's first film since 2015's "Mad Max: Fury Road": "Three Thousand Years of Longing," a fantasy romance with Idris Elba and Tilda Swinton. And Brett Morgan will premiere "Moonage Daydream," a David Bowie documentary.
As has been the case since 2017, no Netflix films are in competition at Cannes. The streamer and the festival have been an impasse due to the country's rigid windowing rules. Once a film plays in cinemas in France, it can't stream for 15 months. Earlier this year, though, Netflix signed a three-year agreement with French film guilds to spend a minimum of $45 million financing French and European films to play theatrically in France.
The Cannes Film Festival runs May 17-28.
Competition Selections
Opening film: Z (COMME Z), Michel HAZANAVICIUS, Out of Comp.
HOLY SPIDER, Ali ABBASI
LES AMANDIERS, Valeria BRUNI TEDESCHI
CRIMES OF THE FUTURE, David CRONENBERG
TORI AND LOKITA, Jean-Pierre et Luc DARDENNE
STARS AT NOON, Claire DENIS
FRรRE ET SลUR, Arnaud DESPLECHIN
CLOSE, Lukas DHONT
ARMAGEDDON TIME, James GRAY
BROKER, KORE-EDA Hirokazu
NOSTALGIA, Mario MARTONE
RMN, Cristian MUNGIU
TRIANGLE OF SADNESS, Ruben รSTLUND
HAEOJIL GYEOLSIM (DECISION TO LEAVE), PARK Chan-Wook
SHOWING UP, Kelly REICHARDT
LEILA’S BROTHERS, Saeed ROUSTAEE
BOY FROM HEAVEN, Tarik SALEH
ZHENA CHAIKOVSKOGO (TCHAรKOVSKI’S WIFE), Kirill SEREBRENNIKOV
EO, Jerzy SKOLIMOWSKI
Un Certain Regard
LES PIRES, Lise AKOKA, Romane GUERET 1st film
KURAK GรNLER (BURNING DAYS), Emin ALPER
METRONOM, Alexandru BELC 1st film
SICK OF MYSELF Kristoffer BORGLI
ALL THE PEOPLE I’LL NEVER BE, Davy CHOU
DOMINGO Y LA NIEBLA (DOMINGO AND THE MIDST), Ariel ESCALANTE MEZA
PLAN 75, HAYAKAWA Chie 1st film
UNTITLED PINE RIDGE PROJECT, Riley KEOUGH, Gina GAMMELL, 1st film
CORSAGE, Marie KREUTZER
BACHENNYA METELYKA (BUTTERFLY VISION), Maksim NAKONECHNYI 1st film
VANSKABTE LAND / VOLAรA LAND (GODLAND), Hlynur PรLMASON
RODEO, Lola QUIVORON 1st film
JOYLAND, Saim SADIQ 1st film
THE SILENT TWINS, Agnieszka SMOCZYNSKA
THE STRANGER, Thomas M WRIGHT
Out of Competition
TOP GUN: MAVERICK, Joseph KOSINSKI
ELVIS, Baz LUHRMANN
MASQUERADE, Nicolas BEDOS
NOVEMBRE, Cรฉdric JIMENEZ
THREE THOUSAND YEARS OF LONGING, George MILLER
Midnight Screenings
HUNT LEE, Jung-Jae
FUMER FAIT TOUSSER, Quentin DUPIEUX
MOONAGE DAYDREAM, Brett MORGEN
Cannes Premiere
DODO, Panos H. KOUTRAS
ESTERNO NOTTE (NIGHTFALL), Marco BELLOCCHIO
IRMA VEP, Olivier ASSAYAS
NOS FRANGINS, Rachid BOUCHAREB
Special Screenings
JERRY LEE LEWIS: TROUBLE IN MIND, Ethan COEN
THE NATURAL HISTORY OF DESTRUCTION, Sergei LOZNITSA
ALL THAT BREATHES, Shaunak SEN
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members โ played fiercely by Sophie Thatcher and Chloe East โ are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion โ and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood โ who also... Read More