A movie funded by donations and crowding-funding investments from nearly 7,000 people has highlighted the battle of a Samsung factory worker’s family to win compensation for her death from leukemia in the face of media indifference and corporate obstruction.
“Another Family,” which premiered during the 18th Busan International Film Festival ending on Saturday, is a fictional account based on the story of Hwang Yu-mi, who died aged 23 from leukemia in 2007, four years after joining Samsung’s memory chip factory in Yongin, South Korea. The title resonates widely in South Korea because it is a well-known Samsung advertising slogan.
Hwang’s father Sang-gi, a taxi driver, won a court ruling in June 2011 that overturned a government agency’s finding that Samsung was not responsible for Hwang’s cancer. In South Korea, the Korea Workers’ Compensation & Welfare Service levies companies and compensates workers after reviewing their claims on industrial hazards and diseases. The agency has appealed the ruling.
Of three dozen Samsung employees who last year sought compensation for diseases allegedly caused by Samsung, only two won compensation, according to Lee Jong-ran, an attorney who helps tech industry workers who contracted leukemia and other cancers. About a dozen people have filed lawsuits seeking to overturn the welfare agency’s refusal to recognize a link between their diseases and working conditions at Samsung, she said.
In the fictionalized account of “Another Family,” a sickened young woman and her father are ignored by most reporters and former colleagues as they try to show a link between chemicals used at the factory where she worked and her cancer.
The company, named Jinsung to avoid a possible libel suit, stymies her father’s efforts to find witnesses. A company official tails her family day and night, offering increasingly larger sums of money to settle. The names of Hwang and her father are also altered for the movie, to Han.
In one poignant scene, Han’s father stands outside Jinsung’s factory gate seeking witnesses who could testify in court about working conditions. Suddenly he is surrounded by three buses that blast dance music. Co-producer Daniel Park said the dramatic scene was based on an incident outside a Samsung factory involving two buses.
Samsung denied the bus incident occurred. “The scenes depicted in this film are not a factual representation of actual events,” it said. “Since 2012 Samsung has reached out several times to the families of former employees and remains committed to active dialogue”
Director Kim Taeyun said “Another Family” was inspired by a 2011 news article about Hwang’s father who won the court victory after a seemingly hopeless battle against South Korea’s largest corporation.
As families of the sick workers lose income while facing mounting hospital bills, many cannot resist settling with Samsung, rather than being submerged by years of lawsuits against the government agency and Samsung.
“If he had settled with the company, I wondered if he could have continued smiling,” Kim said of Hwang’s father.
In another echo of reality, Kim depicts South Korean reporters flocking to Jinsung’s press conference saying its factory is safe. In the following scene, victims and their families hold a sparsely attended press conference saying they got sick from working at the factory.
“There is almost no media that is critical of Samsung,” the director said. “For example, when (tech workers advocacy group) Banolim issues a press release, the following day there are articles about Samsung’s new products.” Banolim is the Korean name of SHARPs, a coalition of workers and activists helping electronics industry workers diagnosed with rare diseases.
The movie also highlights the burden on the workers who bear the onus of proving the link between their disease and the company even without the access to information about what is going on inside the factory.
“Even now Samsung is not releasing the names of the chemicals saying they are trade secrets,” Hwang’s father told audiences at the theater.
Hwang’s father said he laughed and wept watching stories that he knew so well. Many members of the audience also wept during the movie.
Kim said seeing other movies getting donations and finding investors through crowd-funding websites emboldened him to make the movie that others said might be risky. More than 6,000 people donated nearly 280 million ($260,000) for “Another Family” in exchange of movie tickets or DVDs. Other individuals invested some 450 million won.
The Hottest Ticket At Sundance: Writer-Director Mary Bronstein’s “If I Had Legs I’d Kick You”
Rose Byrne plays a mother in the midst of a breakdown in the experiential psychological thriller "If I Had Legs I'd Kick You."
Anticipation was high for the A24 film, which will be released sometime this year. Its premiere Friday at the Sundance Film Festival was easily the hottest ticket in town, with even ticketholders unable to get in. Those who did make it into the Library theater were treated to an intense, visceral, inventive story from filmmaker Mary Bronstein that has quickly become one of the festival's must-sees.
Byrne plays Linda, who is barely hanging on while managing her daughter's mysterious illness. She's faced with crisis after crisis, big and small — from the massive, gaping hole in their apartment ceiling that forces them to move to a dingy motel, to an escalating showdown with a parking attendant at a care center. The cracks in her psychological, emotional and physical wellbeing are become too much to bear.
"I'd never seen a movie before where a mother is going through a crisis with a child but our energy is not with the child's struggle, it's with the mother's," Bronstein said at the premiere. "If you're a caretaker, you shouldn't be bothering with yourself at all. It should all be about the person you're taking care of, right? And that is a particular kind of emotional burnout state that I was really interested in exploring."
Byrne and Bronstein went deep in the preparation phase, having long discussions about Linda with the goal of making her as real as possible before the quick, 27-day shoot. Byrne said she was obsessed with figuring out who Linda was before the crisis. The film was in part inspired by Bronstein's experience with her own daughter, but she didn't want to elaborate on the... Read More