The Directors Bureau and Bullitt have joined forces to create a larger filmmakers’ collective to provide a broader array of storytellers for branded content and commercial campaigns. The two companies will retain their distinct brand identities and rosters while offering an integration that creates new opportunities as they pursue original ways to create branded entertainment with advertising agencies and brands.
“The Directors Bureau has a certain manner and style as a creative workshop–and we are known for inventive and often playful work. Bullitt’s many attributes include an emphasis on adrenalized and thrilling filmmaking that extends to many forms of content,” said The Directors Bureau founder Roman Coppola. “Our distinct brands and cultures benefit by coming together to evolve and explore the best way into the future.”
Bullitt Founders Anthony and Joe Russo and Justin Lin shared in a joint statement: “The time has never been better for filmmakers in that brands, agencies, and platforms are relying on storytellers in ways that give audiences an opportunity to feel emotionally connected to and entertained by what they see and do. That’s an ethos The Directors Bureau and Bullitt have always shared, and are now doing together in an integrated way.”
Prior to officially unveiling the union, both companies worked collaboratively on campaigns for agencies Team One, GSDM, 72 and Sunny, TBWA Chiat/Day, Zambezi, The Martin Agency, and McCann, among others. The Russo Brothers, founding partners of Bullitt, just released the feature film Cherry starring Tom Holland, and are currently in prep on The Gray Man for Netflix, starring Chris Evans and Ryan Gosling. Roman Coppola, founder of The Directors Bureau is currently directing a campaign for a major retail brand, released the video “The Adults Are Talking” for his longtime collaborators The Strokes, “Find My Way” for Sir Paul McCartney, and a Christmas special for Apple TV with Mariah Carey. Both production companies will be announcing several new director signings in the coming weeks.
The filmmaker focus and leadership offers a kinship between the companies, with a shared emphasis on creativity telling stories in the most compelling way, even with their unique vantage points and offerings.
Luke Ricci, who now oversees both Bullitt and The Directors Bureau, said, “I’m extremely excited about the shared values of the two companies and the incredible breadth of filmmakers we have on both rosters. This was a unique opportunity to bring two companies together that has invigorated both entities during a time of unparalleled uncertainty in the world. I feel privileged to lead both organizations and have been thrilled by the work that we have been producing. The Directors Bureau has a storied tradition and pedigree that delivers smart, stylish content that resonates with and inspires audiences. Both The Directors Bureau and Bullitt were founded by directors as incubators for fresh and innovative filmmaking, and we are thrilled to expand our collective creative reach as partners in production.”
Bullitt is a filmmakers collective and creative studio situated at the nexus of entertainment and advertising. Founded by The Russo Brothers, Lin, and Todd Makurath, Bullitt is known for bold dynamic content by directors who span film, TV, experiential, AR/VR and advertising.
The Directors Bureau is an award-winning production company based in Hollywood, Calif., with a focus on commercial and music video production. The Directors Bureau represents a diverse roster of directors with backgrounds in still photography, graphic design, animation, fine art, feature film and fashion, providing a thriving creative community.
“We recognize what’s happening around us is ushering in some of the most significant changes in our lifetimes,” said Coppola. “There is going to be a new world to enter and this partnership will allow us to be prepared for what comes next in a truly meaningful way.”
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More