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    Box Office Transformation For “Transformers: The Last Knight”

    By SHOOTUpdated:No Comments2330 Views
    This image released by Paramount Pictures shows Optimus Prime in a scene from, "Transformers: The Last Knight." (Paramount Pictures/Bay Films via AP)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    The hulking machines of "Transformers" are no longer box-office behemoths in North America. But they're still big in China.

    Michael Bay's "Transformers: The Last Knight," the fifth installment in the Hasbro series, scored a franchise-low domestic debut with an estimated $43.5 million in ticket sales over the weekend and a five-day total of $69.1 million since opening Wednesday. All previous "Transformers" sequels opened with $97 million-plus.

    But Paramount Pictures' "The Last Knight," the second "Transformers" movie to star Mark Wahlberg, still showed its might overseas. It took in $196.2 million internationally, including an impressive $123.4 million in China.

    Future business will tell whether those grosses are enough to cover a hugely expensive movie: $217 million to make, plus nearly as much to market. Studios reap a smaller percentage of ticket sales from Chinese theaters. And reviews — though never much of a factor in "Transformers" land — were worse for "The Last Knight" than the earlier films. Audiences gave this one a B-plus CinemaScore.

    Yet "Transformers" has been increasingly skewing international. The previous film, 2014's "Age of Extinction," made $858.6 million of its $1.1 billion global haul abroad.

    "Transformers' is built for a global audience," said Kyle Davies, president of distribution for Paramount. "You really have to consider how we did in the overall and it was really strong overseas and in China. That's how we treat 'Transformers': It's a global property. So we're hopeful that we're going to get to a good place."

    "Wonder Woman" and "Cars 3" tied for second place, both with $25.2 million. Nearly a month after opening, Patty Jenkins' "Wonder Woman" continues to be a major draw. In four weeks, it has surpassed $300 million domestically. And at $652.9 million globally, it's the highest grossing film directed by a woman, not accounting for inflation.

    In limited release Kumail Nanjiani's acclaimed romantic comedy "The Big Sick" landed the best per-screen average of the year. It opened in five theaters, grossing an average of $87,000 from each. Amazon plunked down $12 million for the Judd Apatow-produced Sundance Film Festival hit. Lionsgate is handling the theatrical release.

    Sofia Coppola's "The Beguiled" wasn't far behind. In four theaters, it earned a per-screen average of $60,136. The Focus Features release, starring Nicole Kidman, Kirsten Dunst and Colin Farrell, is a remake of Don Siegel's 1972 Civil War-era gothic thriller about a wounded Union soldier taken in by a Southern all-girls school. At the Cannes Film Festival last month, Coppola won best director, becoming only the second woman to do so.

    Both "The Big Sick" and "The Beguiled" expand nationwide in the coming weeks.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers also are included. Final domestic figures will be released Monday.
    1. "Transformers: The Last Knight," $ 45.3 million ($196.2 million international).
    2. (Tie) "Wonder Woman," $25.2 million ($20.5 million international).
    2. (Tie) "Cars 3," $25.2 million ($11.9 million international).
    4. "47 Meters Down," $7.4 million.
    5. "All Eyez On Me," $5.9 million ($1.1 million international).
    6. "The Mummy," $5.8 million ($16.5 million international).
    7. "Pirates of the Caribbean: Dead Men Tell No Tales," $5.2 million ($8.3 million international).
    8. "Rough Night," $4.7 million ($2 million international).
    9. "Captain Underpants: The First Epic Movie," $4.3 million ($1 million international).
    10. "Guardians of the Galaxy Vol. 2," $3 million.

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
    1. "Transformers: The Last Knight," $196.2 million.
    2. "Wonder Woman," $20.5 million.
    3. "The Mummy," $16.5 million.
    4. "Cars 3," $11.9 million.
    5. "Baywatch," $10.3 million.
    6. "Pirates of the Caribbean: Dead Men Tell No Tales," $8.3 million.
    7. "Despicable Me 3," $7.2 million.
    8. "Everything, Everything," $2.8 million.
    9. "77 Heartbreaks," $2.5 million.
    10. "Alien: Covenant," $2.3 million.

    Category:News
    Tags:box officeCars 3The BeguiledTransformers: The Last KnightWonder Woman



    Harris Dickinson Toys With Ambiguity In “Babygirl” While Keeping a Secret From Nicole Kidman

    Tuesday, December 24, 2024

    Harris Dickinson was nervous to approach Nicole Kidman.

    This would not necessarily be notable under normal circumstances, but the English actor had already been cast to star opposite her in the erotic drama "Babygirl," as the intern who initiates an affair with Kidman's buttoned-up CEO. They'd had a zoom with the writer-director Halina Reijn, who was excited by their playful banter and sure that Dickinson would hold his own. And yet when he found himself at the same event as Kidman, shyness took over. He admitted as much to Margaret Qualley, who took things into her own hands and introduced them.

    "She helped me break the ice a bit," Dickinson said in a recent interview.

    On set would be an entirely different story. Dickinson might not be nearly as "puckishly audacious" as his character Samuel but in the making of "Babygirl," he, Kidman and Reijn had no choice but to dive fearlessly into this exploration of sexual power dynamics, going to intimate, awkward, exhilarating and meme-able places. It's made the film, in theaters Christmas Day, one of the year's must-sees.

    "There was an unspoken thing that we adhered to," Dickinson said. "We weren't getting to know each other's personal lives. When we were working and we were the characters, we didn't veer away from the material. I never tried to attach all of the history of Nicole Kidman. Otherwise it probably would have been a bit of a mess."

    His is a performance that reconfirms what many in the film world have suspected since his debut seven years ago as a Brooklyn tough questioning his sexuality in Eliza Hittman's "Beach Rats": Dickinson is one of the most exciting young talents around.

    Dickinson, 28, grew up in Leytonstone, in East London — the same neck of the woods as... Read More

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