Hollywood is finishing its summer with record revenue but the lowest actual movie attendance in five years.
Domestic receipts from the first weekend in May through the upcoming Labor Day weekend should come in at about $4.35 billion — $100 million more than the record set last year, according to Paul Dergarabedian, box-office analyst for Hollywood.com.
Attendance is down because of a steep rise in ticket prices, heavily due to a surge in 3-D screenings, which cost a few dollars more than regular movie admissions.
Through Labor Day, the actual number of tickets sold during the summer season is expected to come in at 552 million, the lowest since 563.2 million tickets were sold in summer 2005, Dergarabedian estimated Monday.
Ticket prices this year are averaging $7.88, according to the National Association of Theatre Owners. That’s up 38 cents, or 5 percent, from 2009.
“To have record revenue built on the back of much higher ticket prices, in a way, it’s kind of a shallow victory. You want to see attendance go up every year, not down,” Dergarabedian said.
The summer delivered some huge crowd-pleasers, led by Disney’s “Toy Story 3,” which followed “Shrek 2” as just the second animated film to top $400 million at the domestic box office.
Paramount’s “Iron Man 2” shot past $300 million, while Summit Entertainment’s “The Twilight Saga: Eclipse” has almost hit that mark. Topping $200 million were the Warner Bros. release “Inception,” Paramount and DreamWorks Animation’s “Shrek Forever After” and Universal’s “Despicable Me.”
Sony had three $100 million hits with “The Karate Kid,” ”Grown Ups” and “Salt.”
Other releases failed to live up to the hype of summer blockbuster season, among them the Warner Bros. sequel “Sex and the City 2,” Disney’s “The Prince of Persia: The Sands of Time” and “The Sorcerer’s Apprentice,” and 20th Century Fox’s “Marmaduke” and “Knight and Day.”
“Audiences were underwhelmed, and they voted with their absence,” Dergarabedian said. “If you asked most people what they thought of the quality of the movies, it’s kind of a so-so summer. We could have done a lot worse were it not for films like ‘Inception’ and ‘Toy Story 3.'”
Cinema Audio Society Award Winners Include “A Complete Unknown,” “The Wild Robot,” “Shōgun” and “The Bear”
A Complete Unknown and The Wild Robot were among the feature film category winners at the 61st Annual Cinema Audio Society (CAS) Awards held Saturday night (2/22) at The Beverly Hilton International Ballroom. Television winners included The Bear and Shōgun.
The evening honored excellence in sound mixing across motion pictures, television, and non-fiction programming, with industry leaders and acclaimed filmmakers gathering to celebrate the art and craft of sound.
Hosted again by comedian Tom Papa, the ceremony recognized outstanding achievements across seven competitive categories, alongside the presentation of two special honors--the CAS Career Achievement Award and CAS Filmmaker of the Year Award. The CAS Career Achievement Award was presented by Academy Award-winner Oliver Stone to Tod Maitland CAS, while acclaimed director Denis Villeneuve was honored as CAS Filmmaker of the Year by Academy Award-winning composer Hans Zimmer. Presenters included Kris Bowers, Ron Funches, Chris Hardwick, Annie Lederman, Joe Manganiello, Krys Marshall, Michael Urie, Kirsten Vangsness, and Wil Wheaton.
“This year’s winners transported audiences to historic battlegrounds, to bustling kitchens, and deeply personal moments of an American icon, proving once again that sound is the rhythm in the heart of movies,” said CAS president Peter Kurland. “From sweeping cinematic epics to intimate portraits of life, the artistry of sound mixing continues to push creative and technical boundaries. These exceptional professionals don’t just enhance stories—they define them. Tonight, we celebrate their dedication, innovation, and the lasting impact of their craft.”
The 2025 CAS Award winners are as... Read More