BMI (Broadcast Music, Inc.) will present legendary film composer John Williams with a special award bearing his name in recognition of his status as one of the greatest film and television composers of our time. The John Williams Award will be presented for the first time at the 34th annual BMI Film, TV & Visual Media Awards on Wednesday, May 9, at the Beverly Wilshire Hotel in Beverly Hills, Calif. The private black-tie event will be hosted by BMI president and CEO Mike O’Neill and BMI VP Creative-Film, TV & Visual Media Doreen Ringer-Ross.
“John Williams is unequivocally one of the most iconic film and television composers of our time,” said Ringer-Ross. “By continuing to create and add to his prolific body of work, he’s made a lasting impression on music lovers around the world, and an entire community of composers who he continues to inspire. Because of this, and for all that he has given the world of music and beyond, we felt it was appropriate to honor John with this special award.”
In addition to honoring Williams, award-winning composers Laura Karpman, Miriam Cutler and Lolita Ritmanis will be receiving the BMI Champion Award for their commitment to supporting fellow women media composers through The Alliance of Women Film Composers, which they founded in 2014. Through advocacy, support and education, the AWFC strives to increase the visibility of women composers active in media scoring.
Composer Rick Baitz will also be presented with BMI’s Classic Contribution Award in appreciation of creating and leading BMI’s successful “Composing for the Screen” workshop for the past ten years. In receiving this award, Baitz joins a prestigious list of honorees including Lucas Richman, Peter Golub, Mike Post, Terence Blanchard, Chris Montan and David Newman.
Throughout the evening, composers of the previous year’s top-grossing films, top-rated primetime network television series and highest-ranking cable and streamed media programs will also be recognized.
Williams was previously honored with The Kirk Award in 1999, which later became the BMI Icon Award, for composing some of the most popular and recognizable scores in cinematic history such as the Star Wars series, Jaws, Schindler’s List, the Indiana Jones series, Close Encounters of the Third Kind, and the list goes on. Since then, the multiple award-winning composer has created an equally impressive catalogue of scores for acclaimed films such as the first three Harry Potter films, Memoirs of a Geisha and Lincoln among others, and has continued to score the Star Wars series, including the forthcoming Star Wars Episode 9. Because of his incredible body of work since receiving BMI’s highest honor, the John Williams Award was created to pay tribute to his numerous career achievements which have made him one of the most recognized and decorated living film composers in modern history.
In a career spanning more than six decades, John Williams has become one of the most successful film and television composers of our time. He’s scored more than one hundred films, and has garnered many awards and accolades throughout his illustrious career resulting in 5 Academy Awards, 51 Oscar nominations, 5 Emmy Awards, 4 Golden Globe Awards, 24 GRAMMYs and was given a Lifetime Achievement Award from the American Film Institute in 2016. Other notable honors include the National Medal of Arts (2009), Kennedy Center Honor (December 2004) and Olympic Order (2003).
Outside of his work in film and television, Williams served as music director and laureate conductor of one of the country’s treasured musical institutions, the Boston Pops Orchestra, and maintains artistic relationships with many prestigious orchestras, including the Boston Symphony Orchestra, the New York Philharmonic, the Chicago Symphony and the Los Angeles Philharmonic. In the world of sport, he has contributed musical themes for multiple Summer Olympic Games, Winter Olympic Games, International Summer Games of the Special Olympics, and composed the theme for NBC’s presentation of NFL Football in 2006.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More