Having recently premiered at the Tribeca Film Festival, the feature Three Headed Beast was shot with a Blackmagic Pocket Cinema Camera 4K digital film camera. The camera allowed the film’s minimal crew to create a sense of closeness for the nearly wordless film that relies on intimacy, body language and music to tell its story.
One of only 10 films selected for Tribeca’s U.S. Narrative Competition, Three Headed Beast tells the story of Peter and Nina, a loving long term couple navigating an open relationship, and Alex, who has formed a deep connection with Peter. Their relationships and individual desires collide over a hot Texas summer.
Shot entirely with natural light and practicals and with a small crew of only four, Three Headed Beast needed a camera that allowed the team to be adaptable while delivering a high quality, cinematic image. According to director and DP Fernando Andres, the Pocket Cinema Camera 4K’s dual native ISO helped beautifully capture the natural light, and its portable design allowed the crew to easily shoot on the fly in public locations….
From Restoring To Hopefully Preserving Multi-Camera Categories At The Emmys
When Gary Baum, ASC won his fourth career Emmy Award earlier this month, it was especially gratifying in that the honor came in a category--Outstanding Cinematography for a Multi-Camera Half-Hour Series--that had been restored thanks in part to a grass-roots initiative among cinematographers to drum up entries. Last year the category fell by the wayside when not enough multi-camera entries materialized.
In his acceptance speech, Baum appealed to the Television Academy to keep multi-camera categories alive. He later noted to SHOOT that editors also got their multi-camera recognition back in the Emmy competition this year. Baum hopes that after resurrecting multi-camera categories in 2024, such recognition will be preserved for 2025 and beyond.
A major factor in the decline of multi-camera submissions in 2023 was the move of certain children’s and family programming from the primetime Emmy competition to the National Academy of Television Arts and Sciences’ (NATAS) Emmy ceremony. For DPs this meant that multi-camera programs last year were reduced to vying for just one primetime nomination slot in the more general Outstanding Cinematography for a Series (Half-Hour) category. It turned out that this single slot was filled in ‘23 by a Baum-lensed episode of How I Met Your Father (Hulu).
Fast forward to this year’s competition and Baum won for another installment of How I Met Your Father--”Okay Fine, It’s A Hurricane,” which turned out to be the series finale. Two of Baum’s Emmy wins over the years have been for How I Met Your Father, and there’s a certain symmetry to them. His initial win for How I Met Your Father was for the pilot in 2022. So he won Emmys for the very first and last... Read More