Blackmagic Design announced that nine Micro Studio Camera 4Ks and nine Video Assists were used to shoot high-end fashion brand Chromat’s Fall/Winter 2016 runway show at New York Fashion Week. Working alongside director Winslow Porter, Josh and Jason Diamond, for their VR company SUPERSPHERE, used the Micro Studio Camera 4Ks and Video Assists as part of their 360Design “Diamond EYE” rig to capture 360-degree shots of the models walking down the runway.
The VR rig was situated at the top of the U-shaped runway to capture the best possible viewpoint and main view of the runway. “We shot from the press area, so viewers not only feel like they are sitting at the fashion show, but also get the immersive experience of being embedded among the press and paparazzi,” explained Josh, who was a producer on the project.
The collection was inspired by light and luminescence, and the show switched between bright lighting and complete darkness, during which the models were illuminated by garments lined with bright neon lights. Jason, who was the VR camera supervisor on the shoot, explained, “The show featured complete darkness with flashes of neon light from the clothing, all the way up to bright lighting. We couldn’t adjust the camera settings or iris on the fly, so we needed a camera that could capture it all and handle the wide range of lighting.”
He continued, “The Micro Studio Camera 4K’s dynamic range was essential to capturing the large variance between dark and light in the same shots. We shot in ProRes, 10-bit, 60 fps and at 1080p to get the most information possible out of the cameras’ sensors. Some of the more desired components to shooting VR include larger sensors and dynamic range, production-ready file formats, high frame rates and the ability to use high-quality lenses all in a very small form factor so you can place the cameras close together. The Micro Studio Camera 4K hits all the marks and more. You get the highest image quality, SDI and HDMI connections, the ability to record to the Video Assist at ProRes HQ 1080p, 60 fps; it’s a big deal.”
The “Diamond EYE” rig features a custom central mounting point, and all the Micro Studio Camera 4Ks were connected to it and calibrated for the final stitched frame. Each of the nine Micro Studio Camera 4Ks were connected via SDI to its own Video Assist, mounted to the cameras on tiny ball heads so they could be rotated. Two custom Switronix battery plates, each with nine 12v connectors from XLR cables, along with Switronix Gold Mount Batteries, were used to power the cameras and Video Assists.
Josh noted how the Video Assist’s flexibility proved useful for the shoot. “They are small, lightweight, touchscreen, have solid mounting points and record ProRes to SD cards, all of which makes our workflow easy and streamlined,” he said.
Jason concluded, “The Micro Studio Camera 4K’s breakout cable and the fact that Blackmagic Design is open with the protocol really increases flexibility as well. I was able to reroute power and genlock away from the base of the rig for better organization, and I didn’t have to worry about forcing too much stress on one thing or running too many cables on the rig. You can pretty much make whatever cable you want to suit your needs.”
The virtual reality experience is now airing on Littlstar, a global VR cinema network dedicated to immersive 360-degree video and photos.
First-Time Feature Directors Make Major Splash At AFI Fest, Generate Oscar Buzz
Two first-time feature directors who are generating Oscar buzz this awards season were front and center this past weekend at AFI Fest in Hollywood. Rachel Morrison, who made history as the first woman nominated for a Best Cinematography Oscar---on the strength of Mudbound in 2018--brought her feature directorial debut, The Fire Inside (Amazon MGM Studios), to the festival on Sunday (10/27), and shared insights into the film during a conversation session immediately following the screening. This came a day after William Goldenberg, an Oscar-winning editor for Argo in 2013, had his initial foray into feature directing, Unstoppable (Amazon MGM Studios), showcased at the AFI proceedings. He too spoke after the screening during a panel discussion. The Fire Inside--which made its world premiere at this year’s Toronto International Film Festival--tells the story of Claressa “T-Rex” Shields (portrayed by Ryan Destiny), a Black boxer from Flint, Mich., who trained to become the first woman in U.S. history to win an Olympic Gold Medal in the sport. She achieved this feat--with the help of coach Jason Crutchfield (Brian Tyree Henry)--only to find that her victory at the Summer Games came with relatively little fanfare and no endorsement deals. So much for the hope that the historic accomplishment would be a ticket out of socioeconomic purgatory for Shields and her family. It seemed like yet another setback in a cycle of adversity throughout Shields’ life but she persevered, going on to win her second Gold Medal at the next Olympics and becoming a champion for gender equality and equitable pay for women in sports. Shields has served as a source of inspiration for woman athletes worldwide--as well as to the community of... Read More