By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --T'Challa still rules the box office four weeks in, even with the fresh rivalry of another Walt Disney Studios release in "A Wrinkle in Time."
"Black Panther" took the No. 1 spot at the North American box office with $41.1 million according to studio estimates Sunday, leaving another newcomer in its wake. The Marvel and Disney phenomenon crossed the $1 billion mark worldwide this weekend and became the 7th highest grossing domestic release with $562 million. Not accounting for inflation, it's now passed "The Dark Knight."
With a marketplace still dominated by "Black Panther," Disney faced some stiff competition from its own studio in launching Ava DuVernay's adaption of "A Wrinkle in Time," which opened in second place with $33.3 million from 3,980 locations. The PG-rated film, which cost around $103 million to produce and stars Oprah Winfrey and Reese Witherspoon, received mixed reviews from critics (it's currently at a "rotten" 44 percent on RottenTomatoes) and audiences who gave it a B CinemaScore.
In gauging "A Wrinkle in Time's" long-term prospects, a somewhat similar comparison could be Disney's "Tomorrowland," a PG-rated sci-fi pic with middling reviews and a B CinemaScore which opened to $33 million in the early summer of 2015 and went on to gross $93 million domestically. "Tomorrowland," however, notably cost nearly twice as much to make as "A Wrinkle in Time."
But the "Black Panther" effect is the x-factor here. For Disney, it's a "win all around."
"When you think about having two films at the top of the box office, it's definitely a win all around," says Disney's worldwide theatrical distribution president Dave Hollis. "We're feeling good about this start … We're feeling good about what, for us, is a little family competition between now and (the Easter holiday)."
Hollis says he doesn't think the studio would have done anything differently regarding "Wrinkle's" release had they known the scope and longevity of "Black Panther's" prospects.
"There's always going to be competition in the marketplace," he says. "With a tentpole strategy like ours, four weeks of separation is about what we can expect."
Still, "Black Panther" has devoured the marketplace for a month straight now, leaving all other newcomers in the dust.
The new horror film "The Strangers: Prey At Night," with Christina Hendricks, took third place with $10.5 million. The Jennifer Lawrence thriller "Red Sparrow" landed in fourth in its second weekend with $8.2 million and the comedy "Game Night" placed fifth with $7.9 million in weekend three.
Hardly any of the new releases, which also included the thriller "The Hurricane Heist" (8th place, $3.2 million) and the dark action comedy "Gringo," (11th place, $2.6 million) were well-reviewed going into the weekend, save for the limited release independents like "Thoroughbreds," which made $1.2 million from 549 locations, and Armando Iannucci's "The Death of Stalin," which opened in four theaters to $181,000.
It also left room for the Academy Award best picture winner "The Shape of Water," which is also available on home video, to capitalize on its post-Oscars stature. The Fox Searchlight film added 720 theaters and took in in $2.4 million from 1,552 locations, bringing its domestic total to $61 million.
But even though "Black Panther" has helped boost the year to date box office significantly, it's also proving to be a continued challenge for any other wide release hoping for a piece of the market.
"Every movie that has opened in the wake of 'Black Panther' has had its work cut out for it," says comScore senior media analyst Paul Dergarabedian. "We keep underestimating this film and it just shows no sign of slowing down."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1."Black Panther," $41.1 million ($100 million international).
2."A Wrinkle in Time," $33.3 million ($6.3 million international).
3."The Strangers: Prey At Night," $10.5 million ($140,000 international).
4."Red Sparrow," $8.2 million ($15.7 million international).
5."Game Night," $7.9 million ($5.4 million international).
6."Peter Rabbit," $6.8 million ($4.8 million international).
7."Death Wish," $6.6 million ($3 million international).
8."The Hurricane Heist," $3.2 million ($1.9 million international).
9."Annihilation," $3.2 million.
10."Jumanji: Welcome to the Jungle," $2.8 million.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Black Panther," $100 million.
2. "Operation Red Sea," $23.8 million.
3. "Red Sparrow," $15.7 million.
4. "Tomb Raider," $14.1 million.
5. "The Shape of Water," $11.3 million.
6. "Detective Chinatown 2," $11.2 million.
7. "Une Jolie Ch'tite Famille," $8.8 million.
8. "Amazing China," $8.1 million.
9. "Bajrangi Bhaijaan," $8 million.
10. "A Wrinkle in Time," $6.3 million.
Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More