SHOOT New Directors Showcase alumni make mark in Feature, Short Doc categories
By Robert Goldrich
LOS ANGELES --It was a big night for director Bing Liu at the International Documentary Association’s 34th annual IDA Documentary Awards. During a gala ceremony held on Saturday evening (12/8) at the Paramount Theatre in L.A., Liu’s directorial debut, Minding the Gap, won the competition’s top honor as Best Feature. Liu, as previously announced, also won the IDA’s Emerging Documentary Filmmaker Award. And in the Creative Recognition portion of the award proceedings, Liu and Joshua Altman earned Best Editing distinction for Minding the Gap.
Minding the Gap tells the story of three young men—including Liu himself—who bond with one another via skateboarding to escape volatile families in their Rust Belt hometown. However as they grow up and adult responsibilities take hold, unexpected revelations jeopardize their decade-long friendship.
The poignant film premiered this past January at the Sundance Film Festival where it garnered the Special Jury Award for Breakthrough Filmmaking. After its showing, Liu landed representation for commercials and branded content through Nonfiction Unlimited, a production company known for helping documentarians diversify into the ad arena.
On the strength of Minding the Gap, Liu back in May earned inclusion in SHOOT’s 2018 New Directors Showcase.
The backstory for Minding the Gap–which was acquired by Hulu in June–dates back to when teenager Liu began filming skate videos. He told SHOOT in an interview earlier this year that skate videos “became an obsession. It also allowed me to connect with other videomakers across the country. We’d give each other tips on upping our game. Over time, the skate videos became more and more experimental.”
Then some five-plus years ago Liu started going around the country, interviewing skateboarders about their relationships and personal lives. “I found a pattern of family dysfunction and over time I settled on making this a character-driven film in the town I grew up in, Rockford, Illinois. I grew up with these guys. We had similar issues and situations—and I slowly worked my way into the film [as an on-camera subject] over the past couple of years.”
Liu developed the film with Chicago-based Kartemquin Films, and as a co-production of POV and ITVS. He not only directed and co-starred in Minding the Gap but also was its DP, co-producer (with Diane Moy Quon) and co-editor (along with Altman).
As for his becoming part of the story in Minding the Gap, Liu said it was helpful “to have skin in the game as a filmmaker. I was less a protagonist in the traditional sense and more in the character of filmmaker, being the camera itself. I also became a bit vulnerable as I interact with my friends, which helped serve the purpose of touching on the issues involved more deeply.”
Regarding what Minding the Gap taught him, Liu spoke about “not going into a project with a set idea of what a story is going to be. You have to let the characters’ lives lead the way, and you’re there to capture it in a way that’s true to them, that doesn’t get in their way.”
There are other lessons that Liu would like Minding the Gap to impart to certain viewers. Alluding to the abusive father figures that the main characters endured as youngsters, Liu shared in his Artistic Statement for the film, “What’s clear from doing this project is that violence and its sprawling web of effects are perpetuated in large part because these issues remain behind closed doors, both literally and figuratively. My hope is that the characters who open doors in Minding the Gap will inspire young people struggling with something similar—that they will survive their situation, live to tell their story, and create a life of causality for themselves.”
Floyd Russ
Liu wasn’t the only SHOOT New Directors Showcase alum to be honored at the IDA Documentary Awards last night. Floyd Russ, who was in the 2016 SHOOT Showcase, saw his documentary Zion win the Best Short Award. The film introduced audiences to Zion Clark, a young wrestler who was born without legs. Growing up in foster care, Clark struggled with fitting in his whole life—until he finds the sport of wrestling, a passion which he pursues, pushing himself to great lengths.
Zion was produced by NYC-based The Bindery. And Russ is handled for commercials and branded content through Tool of North America. Among his notable spot endeavors are Ad Council’s “Love Cam” PSA for R/GA, which was nominated in 2017 for a primetime commercial Emmy.
Among other IDA Documentary Award winners last night were: Showtime’s The Trade for Best Episodic Series; Netflix’s Wild Wild Country for Best Limited Series; and HBO’s John McCain: For Whom the Bell Tolls which garnered the ABC News VideoSource Award.
Finishing in a tie for Best Music Documentary were Mr. Soul! and Matanga/Maya/M.I.A.
Earning the Best Cinematography mantle was Shevaun Mizrahi for Distant Constellation.
Here’s a full rundown of winners at the 34th IDA Documentary Awards:
Best Feature
Minding the Gap
Director/Producer: Bing Liu
Producer: Diane Quon
HULU/POV
Best Short
Zion
Director/Producer: Floyd Russ
Producer: Carter Collins
NETFLIX
Best Audio Documentary
Caliphate
Reporters: Rukmini Callimachi and Andy Mills
Producers: Andy Mills, Larissa Anderson, Wendy Dorr and Asthaa Chaturvedi
THE NEW YORK TIMES
Best Curated Series
POV
Executive Producers: Justine Nagan and Chris White
POV/AMERICAN DOCUMENTARY
Best Episodic Series
The Trade
Executive Producers: Matthew Heineman and Pagan Harleman
SHOWTIME
Best Limited Series
Wild Wild Country
Directors: Chapman Way and Maclain Way
Producer: Juliana Lembi
Executive Producers: Mark Duplass, Jay Duplass, Josh Braun and Dan Braun
NETFLIX
Best Short Form Series
MEL Films
Executive Producer: David Freid
Best Music Documentary
A TIE IN THE CATEGORY
MATANGI / MAYA / M.I.A.
Director/Producer: Steve Loveridge
Producers: Lori Cheatle, Paul Mezey and Andrew Goldman
ABRAMORAMA
Mr. SOUL!
Director/Producer: Melissa Haizlip
Co-Director: Samuel D. Pollard
ABC News VideoSource Award
THIS AWARD IS GIVEN EACH YEAR FOR THE BEST USE OF NEWS FOOTAGE AS AN INTEGRAL COMPONENT IN A DOCUMENTARY.
John McCain: For Whom the Bell Tolls
Directors/Producers: Peter Kunhardt, George Kunhardt and Teddy Kunhardt
HBO
David L. Wolper Student Documentary Award
THIS AWARD RECOGNIZES EXCEPTIONAL ACHIEVEMENT IN NON-FICTION FILM AND VIDEO PRODUCTION AT THE UNIVERSITY LEVEL AND BRINGS GREATER PUBLIC AND INDUSTRY AWARENESS TO THE WORK OF STUDENTS IN THE DOCUMENTARY FIELD.
Circle
Director: Jayisha Patel
NATIONAL FILM AND TELEVISION SCHOOL (UNITED KINGDOM)
Pare Lorentz Award Winner
THE PARE LORENTZ AWARD RECOGNIZES FILMS THAT DEMONSTRATE EXEMPLARY FILMMAKING WHILE FOCUSING ON THE APPROPRIATE USE OF THE NATURAL ENVIRONMENT, JUSTICE FOR ALL AND THE ILLUMINATION OF PRESSING SOCIAL PROBLEMS.
The Silence of Others (Recipient)
Directors/Producers: Almudena Carracedo and Robert Bahar
CINEPHIL/POV
The Distant Barking of Dogs (Honorable Mention)
Director: Simon Lereng Wilmont
Producer: Monica Hellstrøm
CINEPHIL
Creative Recognition Award Winners
Best Cinematography
Distant Constellation
Cinematographer: Shevaun Mizrahi
Best Editing
Minding the Gap
Editors: Bing Liu and Joshua Altman
Best Music Score
Bisbee ‘17
Composer: Keegan DeWitt
Best Writing
The Other Side of Everything
Writer: Mila Turajlic
Career Achievement Award
Julia Reichert
Emerging Documentary Filmmaker Award
Bing Liu
Amicus Award
Chicken & Egg Pictures
Courage Under Fire Award
Stephen Maing & NYPD 12
The Courage Under Fire Award—which is given from time to time to a filmmaker who demonstrates extraordinary courage in pursuit of the truth—was presented to director Stephen Maing and all the NYPD12 whistleblowers of Crime + Punishment. Amidst a landmark lawsuit over illegal policing quotas, Crime + Punishment intimately observes the real lives and struggles of a group of black and Latino whistleblower cops and the young minorities they are pressured to arrest and summons in New York City. Over four years of rare access, the film cinematically documents our nation’s largest policing institution from the inside through the efforts of a brave group of officers who decide to sue the department and became known as the NYPD12.
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More