The nominees have been unveiled for the fourth annual Critics’ Choice Documentary Awards (CCDA). The winners will be presented their awards at a gala event, hosted by Property Brothers’ Jonathan Scott, on Sunday, November 10, at BRIC in Brooklyn, New York.
Topping the field with seven nominations–for Best Documentary Feature, John Chester for Best Director, Best Cinematography, Best Editing, Best Score, Best Narration, and Best Science/Nature Documentary–is The Biggest Little Farm.
Next with six apiece are Apollo 11 and They Shall Not Grow Old. The former’s nods are for Best Documentary Feature, Todd Douglas Miller for Best Director, Best Editing, Best Score, Best Archival Documentary, and Best Science/Nature Documentary, They Shall Not Grow Old is nominated for Best Documentary Feature, Peter Jackson for Best Director, Best Editing, Best Score, Best Archival Documentary, and Most Innovative Documentary.
One Child Nation received five nominations including Best Documentary Feature, Nanfu Wang and Jialing Zhang for Best Director, Best Editing, Best Narration, and Best Political Documentary.
Recognized with four nominations each are The Cave, Honeyland, American Factory, Aquarela, and Sea of Shadows.
The nominations for The Cave are Best Documentary Feature, Feras Fayyad for Best Director, Best Cinematography, and Best Score. In addition, the film received an honor for Dr. Amani Ballor for Most Compelling Living Subject of a Documentary.
The nominations for Honeyland are Best Documentary, Best Cinematography, Best First Documentary Feature, and Best Science/Nature Documentary. In addition, the film received an honor for Hatidze Muratova for Most Compelling Living Subject of a Documentary.
American Factory earned nominations for Best Documentary Feature, Steven Bognar and Julia Reichert for Best Director, Best Editing, and Best Political Documentary.
The nominations for Aquarela are Best Cinematography, Best Score, Best Science/Nature Documentary, and Most Innovative Documentary.
Sea of Shadows garnered its nominations for Best Cinematography, Best Editing, Best Score, and Best Science/Nature Documentary,
“As the film and television industry constantly evolves, documentaries remain a vibrant creative art form that entertains as well as informs,” said Critics’ Choice Association CEO Joey Berlin. “The CCA has the privilege to publicly support and celebrate the outstanding work of these artists, while at the same time providing media consumers with help in making informed and smart choices as they face more decisions about ‘what to watch’ than ever before. We are proud that our awards event has become a valuable way to help people ‘find the good stuff’ and to help filmmakers find their audiences.”
Special honors
At the gala ceremony, a special new honor, The D A Pennebaker Award, will be presented to legendary documentarian Frederick Wiseman. The award, formerly known as the Critics’ Choice Lifetime Achievement Award, is named for prior winner D A Pennebaker, who passed away this summer. It will be presented by filmmaker Chris Hegedus, Pennebaker’s long-time collaborator and widow.
Wiseman is a director of 43 films, primarily focusing on American institutions. In 2018, he was the Charles Eliot Norton Professor of Poetry at Harvard University. In 2016, he received an Honorary Award for lifetime achievement from the Academy of Motion Picture Arts and Sciences Board of Directors. He is a MacArthur Fellow, a Fellow of the American Academy of Arts and Sciences, the recipient of a Guggenheim Fellowship, and an Honorary Member of the American Academy of Arts and Letters. He has won numerous industry awards, including four Emmys. In recent years, he directed Beckett’s Happy Days and Vasily Grossman’s The Last Letter at the Comédie Française in Paris, and The Last Letter at Theatre for a New Audience in New York. A ballet, inspired by his first film, Titicut Follies (1967), premiered at the New York University Skirball Theater in 2017.
Acclaimed filmmaker Michael Apted will be presented with The Landmark Award, an honor bestowed upon him for his extraordinary and unparalleled achievement with the Up series, which has just added 63 Up to this historic work.
Since the 1960s, Apted has helmed an extensive list of feature films and documentaries. His features include Gorillas in the Mist, Coal Miner’s Daughter, Gorky Park, Thunderheart, Nell, The World is Not Enough, Enigma, Enough, Amazing Grace, the third installment of C.S. Lewis’ The Chronicles of Narnia: The Voyage of the Dawn Treader, and Unlocked. His documentary credits include the Boris Grebenshikov film The Long Way Home, Incident at Oglala, Bring on the Night, Moving the Mountain, Me and Isaac Newton, the soccer film Power of the Game, and the official 2006 World Cup Film. But among his most widely recognized documentary directorial achievements are his lauded multi-award winning sequels based on the original 7 Up documentary: 7 Plus 7, 21, 28, 35, 42 Up, 49 Up, 56 Up, and soon to be released 63 Up. The films have followed the lives of 14 Britons since the age of seven in seven year increments.
Born in England in 1941, Apted studied law and history at Cambridge University. He has received numerous awards and nominations for his extensive body of work, including a Grammy, British Academy Awards, a DGA Award and the IDA Career Achievement Award. He was elected president of the DGA in 2003, and served three terms concluding in 2009. He has served as secretary-treasurer since 2011.
Nominations rundown
At last year’s third annual CCDA event, Won’t You Be My Neighbor? took home the evening’s most prestigious award for Best Documentary as well as the Best Director award for Morgan Neville. Free Solo won the awards for Best Sports Documentary, Most Innovative Documentary and Best Cinematography. The film later received many more accolades, including the Academy Award for Best Documentary Feature.
The nominees for the fourth annual Critics’ Choice Documentary Awards are:
BEST DOCUMENTARY FEATURE
American Factory (Netflix)
Apollo 11 (Neon)
The Biggest Little Farm (Neon)
The Cave (National Geographic)
Honeyland (Neon)
The Kingmaker (Showtime)
Knock Down the House (Netflix)
Leaving Neverland (HBO)
Maiden (Sony Pictures Classics)
One Child Nation (Amazon Studios)
They Shall Not Grow Old (Warner Bros.)
BEST DIRECTOR
Waad Al-Kateab and Edward Watts, For Sama (PBS)
Steven Bognar and Julia Reichert, American Factory (Netflix)
John Chester, The Biggest Little Farm (Neon)
Feras Fayyad, The Cave (National Geographic)
Peter Jackson, They Shall Not Grow Old (Warner Bros.)
Todd Douglas Miller, Apollo 11 (Neon)
Nanfu Wang and Jialing Zhang, One Child Nation (Amazon Studios)
BEST CINEMATOGRAPHY
Ben Bernhard and Viktor Kossakovsky, Aquarela (Sony Pictures Classics)
John Chester, The Biggest Little Farm (Neon)
Fejmi Daut and Samir Ljuma, Honeyland (Neon)
Nicholas de Pencier, Anthropocene: The Human Epoch (Kino Lorber)
Muhammed Khair Al Shami, Ammar Suleiman, and Mohammad Eyad, The Cave (National Geographic)
Richard Ladkani, Sea of Shadows (National Geographic)
BEST EDITING
Georg Michael Fischer and Verena Schönauer, Sea of Shadows (National Geographic)
Todd Douglas Miller, Apollo 11 (Neon)
Jabez Olssen, They Shall Not Grow Old (Warner Bros.)
Amy Overbeck, The Biggest Little Farm (Neon)
Lindsay Utz, American Factory (Netflix)
Nanfu Wang, One Child Nation (Amazon Studios)
BEST SCORE
Jeff Beal, The Biggest Little Farm (Neon)
Matthew Herbert, The Cave (National Geographic)
Matt Morton, Apollo 11 (Neon)
Plan 9, They Shall Not Grow Old (Warner Bros.)
H. Scott Salinas, Sea of Shadows (National Geographic)
Eicca Toppinen, Aquarela (Sony Pictures Classics)
BEST NARRATION
Anthropocene: The Human Epoch (Kino Lorber)
Alicia Vikander, narrator
Jennifer Baichwal, writer
The Biggest Little Farm (Neon)
John Chester and Molly Chester, narrators
John Chester, writer
The Edge of Democracy (Netflix)
Petra Costa, narrator
Petra Costa, Carol Pires, David Barker and Moara Passoni, writers
The Elephant Queen (Apple)
Chiwetel Ejiofor, narrator
Mark Deeble, writer
For Sama (PBS)
Waad Al-Kateab, narrator
Waad Al-Kateab, writer
Joseph Pulitzer: Voice of the People (First Run)
Adam Driver, narrator
Oren Rudavsky and Bob Seidman, writers
One Child Nation (Amazon Studios)
Nanfu Wang, narrator
Nanfu Wang, writer
Western Stars (Warner Bros.)
Bruce Springsteen, narrator
Bruce Springsteen, writer
BEST FIRST DOCUMENTARY FEATURE
Midge Costin, Making Waves: The Art of Cinematic Sound (Matson Films)
A.J. Eaton, David Crosby: Remember My Name (Sony Pictures Classics)
Pamela B. Green, Be Natural: The Untold Story of Alice Guy-Blaché (Kino Lorber/Zeitgeist Films)
Tamara Kotevska and Ljubomir Stefanov, Honeyland (Neon)
Richard Miron, For the Birds (Dogwoof)
Garret Price, Love, Antosha (Lurker Films)
BEST ARCHIVAL DOCUMENTARY
Amazing Grace (Neon)
Apollo 11 (Neon)
Maiden (Sony Pictures Classics)
Mike Wallace is Here (Magnolia)
Pavarotti (CBS Films)
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (Netflix)
They Shall Not Grow Old (Warner Bros.)
What’s My Name: Muhammad Ali (HBO)
BEST BIOGRAPHICAL DOCUMENTARY
David Crosby: Remember My Name (Sony Pictures Classics)
The Kingmaker (Showtime)
Linda Ronstadt: The Sound of My Voice (Greenwich)
Love, Antosha (Lurker Films)
Mike Wallace is Here (Magnolia)
Pavarotti (CBS Films)
Toni Morrison: The Pieces I Am (Magnolia)
BEST MUSIC DOCUMENTARY
Amazing Grace (Neon)
David Crosby: Remember My Name (Sony Pictures Classics)
Linda Ronstadt: The Sound of My Voice (Greenwich)
Miles Davis: Birth of the Cool (Abramorama)
Pavarotti (CBS Films)
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (Netflix)
Western Stars (Warner Bros.)
BEST POLITICAL DOCUMENTARY
American Factory (Netflix)
The Edge of Democracy (Netflix)
Hail Satan? (Magnolia)
The Kingmaker (Showtime)
Knock Down the House (Netflix)
One Child Nation (Amazon Studios)
BEST SCIENCE/NATURE DOCUMENTARY
Anthropocene: The Human Epoch (Kino Lorber)
Apollo 11 (Neon)
Aquarela (Sony Pictures Classic)
The Biggest Little Farm (Neon)
The Elephant Queen (Apple)
Honeyland (Neon)
Penguins (Disney)
Sea of Shadows (National Geographic)
BEST SPORTS DOCUMENTARY
Bethany Hamilton: Unstoppable (Entertainment Studios)
Diego Maradona (HBO)
Maiden (Sony Pictures Classics)
Rodman: For Better or Worse (ESPN)
The Spy Behind Home Plate (Ciesla Foundation)
What’s My Name: Muhammad Ali (HBO)
MOST INNOVATIVE DOCUMENTARY
Aquarela (Sony Pictures Classics)
Cold Case Hammarskjöld (Magnolia)
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (Netflix)
Screwball (Greenwich)
Serendipity (Cohen Media)
They Shall Not Grow Old (Warner Bros.)
BEST SHORT DOCUMENTARY
The Chapel at the Border (Atlantic Documentaries)
(Director and Producer: Jeremy Raff)
Death Row Doctor (The New York Times Op-Docs)
(Director: Lauren Knapp)
In the Absence (Field of Vision)
(Director: Yi Seung-Jun. Producer: Gary Byung-Seok Kam)
Lost World
(Director and Producer: Kalyanee Mam. Producers: Adam Loften and Emmanuel Vaughan-Lee)
Mack Wrestles (ESPN)
(Directors and Producers: Taylor Hess and Erin Sanger. Producers: Erin Leyden and Gentry Kirby)
Period. End of Sentence. (Netflix)
(Director: Rayka Zehtabchi. Producers: Melissa Berton, Garrett K. Schiff and Lisa Taback)
The Polaroid Job (The New York Times Op-Docs)
(Director: Mike Plante)
Sam and the Plant Next Door (The Guardian)
(Director and Producer: Ömer Sami)
The Unconditional
(Director and Producer: Dave Adams. Producers: Adam Soltis, Renee Woodruff Adams, Josie Swantek Heitz, and Chris Tuss)
The Waiting Room (The Guardian)
(Director and Producer: Victoria Mapplebeck)
MOST COMPELLING LIVING SUBJECTS OF A DOCUMENTARY
Dr. Amani Ballor – The Cave (National Geographic)
David Crosby – David Crosby: Remember My Name (Sony Pictures Classics)
Tracy Edwards – Maiden (Sony Pictures Classics)
Imelda Marcos – The Kingmaker (Showtime)
Hatidze Muratova – Honeyland (Neon)
Alexandria Ocasio-Cortez, Amy Vilela, Cori Bush, and Paula Jean Swearengin – Knock Down the House (Netflix)
Linda Ronstadt – Linda Ronstadt: The Sound of My Voice (Greenwich)
Dr. Ruth Westheimer – Ask Dr. Ruth (Hulu)
The Critics’ Choice Documentary Awards will again be produced by Bob Bain Productions.