A month into Hollywood’s awards season and the competition is still wide open. “The Hurt Locker” appears to be a front-runner, but “Avatar,” ”Precious,” ”Inglourious Basterds” and “Up in the Air” have won their share of awards, too.
The directors of these films — Kathryn Bigelow, James Cameron, Lee Daniels, Quentin Tarantino and Jason Reitman — compete Saturday for the top prize from the Directors Guild of America, an award that almost always predicts the Oscar winner for best director.
Bigelow’s “The Hurt Locker” has already won directing and best-picture honors from the National Society of Film Critics, the New York Film Critics Circle, the Los Angeles Film Critics Association and at the Critics’ Choice Awards, where both competed against the same four DGA nominees. “The Hurt Locker” was also the Producers Guild’s best picture winner.
Cameron, who is Bigelow’s ex-husband, was best director and “Avatar” best picture at the Golden Globes. “Precious” has won half a dozen awards for supporting actress Mo’Nique. “Basterds” won acting ensemble honors from Critics’ Choice the Screen Actors Guild. “Up in the Air” was the National Board of Review’s pick for best picture.
The DGA Web site boasts that its winner has gone on to win the Academy Award for directing all but six times since 1948, and typically, the film that wins the Oscar for best director goes on to win for best picture.
The guild will also present awards in documentary, television and commercial categories. Norman Jewison will receive the guild’s Lifetime Achievement Award for Distinguished Achievement in Motion Picture Direction at the ceremony at the Hyatt Regency Century Plaza hotel.
Review: Director Bong Joon Ho’s “Mickey 17” Starring Robert Pattinson
So you think YOUR job is bad?
Sorry if we seem to be lacking empathy here. But however crummy you think your 9-5 routine is, it'll never be as bad as Robert Pattinson's in Bong Joon Ho's "Mickey 17" — nor will any job, on Earth or any planet, approach this level of misery.
Mickey, you see, is an "Expendable," and by this we don't mean he's a cast member in yet another sequel to Sylvester Stallone's tired band of mercenaries ("Expend17ables"?). No, even worse! He's literally expendable, in that his job description requires that he die, over and over, in the worst possible ways, only to be "reprinted" once again as the next Mickey.
And from here stems the good news, besides the excellent Pattinson, whom we hope got hazard pay, about Bong's hotly anticipated follow-up to "Parasite." There's creativity to spare, and much of it surrounds the ways he finds for his lead character to expire — again and again.
The bad news, besides, well, all the death, is that much of this film devolves into narrative chaos, bloat and excess. In so many ways, the always inventive Bong just doesn't know where to stop. It hardly seems a surprise that the sci-fi novel, by Edward Ashton, he's adapting here is called "Mickey7" — Bong decided to add 10 more Mickeys.
The first act, though, is crackling. We begin with Mickey lying alone at the bottom of a crevasse, having barely survived a fall. It is the year 2058, and he's part of a colonizing expedition from Earth to a far-off planet. He's surely about to die. In fact, the outcome is so expected that his friend Timo (Steven Yeun), staring down the crevasse, asks casually: "Haven't you died yet?"
How did Mickey get here? We flash back to Earth, where Mickey and Timo ran afoul of a villainous loan... Read More