This short introduces us to Blackstone Bicycle Works, a nonprofit bicycle shop that teaches inner city kids in the Chicago area how to repair and restore old, unwanted bikes–a work experience which also imparts some valuable life lessons while providing a safe haven in the neighborhood.
Blackstone is the first organization to be recognized by Seattle’s Best Coffee’s Brew-lanthropy Project, which contributes to worthy causes.
Additionally, Blackstone received a full renovation of its break room as well as one year’s supply of coffee and hot chocolate.
Matt Ogens from Tool of North America directed for Seattle agency Creature. The short was scored by composer Greg Kuehn of Peligro Music and Sound, Los Angeles.
Review: Director Michael Morris’ “Bridget Jones: Mad About the Boy”
It is a truth universally acknowledged, as Bridget Jones herself might write in her diary, that at the end of any Bridget Jones movie, our heroine has triumphed over all doubts and obstacles and is finally happy.
With a man. Well, so far, with one particular man: Mark Darcy, the stuffy-yet-dashing man of her dreams.
This, dear viewer, is not a spoiler for the new fourth movie, "Bridget Jones: Mad About the Boy." In fact, if you've seen the trailer, you'll know that Bridget (Renรฉe Zellweger, still pretty delightful), who finally married Mark at the end of the third film, is now a widow.
We're not supposed to divulge exactly what happens next. But remember, folks, this is a classic romantic comedy franchise. Rom-coms can be sad and deep, but they still need to be romantic.
What makes "Bridget Jones: Mad About the Boy" especially enjoyable, then โ and the best since the 2001 original โ is not that Bridget finds a way yet again to triumph over doubts and obstacles. It's that she still makes us care so darned much.
How does she do it after all these years? All I know is, I was rooting harder for her at the end of this film than I was with the others, even the original where she's kissing Mark in the snowy street in underwear and sneakers.
There are various possible explanations. One is Zellweger herself, who has brought her character gracefully into her 50s, retaining Bridget's goofiness and deep-set optimism while reflecting hard-won life experience.
And there are subtle changes to the equation. The relationships in this latest film are more interesting โ old ones and new.
Bridget's relationship with herself is more interesting, too โ and healthier. Sure, she can swig a full bottle of Chardonnay on a bad... Read More