Right after a female customer leaves a bank teller window, a male approaches. He whips out a gun, points it at the woman teller and orders everybody to get down. Next we hear screams from understandably scared customers.
But the action takes an offbeat turn when the robber’s instructions to the teller consist primarily of his revealing personal information, including his age (34), height (5 feet, 11 inches), build (slim), address, phone number and cell phone number.
He then puts a duffle bag on the teller window counter, relating a more conventional directive, namely to put the money in the bag.
A parting super against a dark backdrop provides a wake-up call to reality, simply reading, “Crimes don’t solve themselves.”
This is followed by the logo for Crime Stoppers, Toronto, accompanied by a toll-free phone number (1 800 222-TIPS) and the slogan, “Make the anonymous call.”
“Bank Robber” was directed by James Haworth of Untitled, Toronto, for DDB Canada, Toronto.
The agency creative team consisted of senior VP/creative director Andrew Simon, copywriter Shane Ogilvie, art director Mark Bovey and producer Andrew Schulze.
James Davis executive produced for Untitled, with Aerin Barnes serving as exec producer/producer and Justin Edmund-White as producer. The DP was Jonathon Cliff.
Editor was Brian Williams of Panic & Bob, Toronto.
Netflix Series “The Leopard” Spots Classic Italian Novel, Remakes It As A Sumptuous Period Drama
"The Leopard," a new Netflix series, takes the classic Italian novel by Giuseppe Tomasi di Lampedusa and transforms it into a sumptuous period piece showing the struggles of the aristocracy in 19th-century Sicily, during tumultuous social upheavals as their way of life is crumbling around them.
Tom Shankland, who directs four of the eight episodes, had the courage to attempt his own version of what is one of the most popular films in Italian history. The 1963 movie "The Leopard," directed by Luchino Visconti, starring Burt Lancaster, Alain Delon and Claudia Cardinale, won the Palme d'Or in Cannes.
One Italian critic said that it would be the equivalent of a director in the United States taking "Gone with the Wind" and turning it into a series, but Shankland wasn't the least bit intimidated.
He said that he didn't think of anything other than his own passion for the project, which grew out of his love of the book. His father was a university professor of Italian literature in England, and as a child, he loved the book and traveling to Sicily with his family.
The book tells the story of Don Fabrizio Corbera, the Prince of Salina, a tall, handsome, wealthy aristocrat who owns palaces and land across Sicily.
His comfortable world is shaken with the invasion of Sicily in 1860 by Giuseppe Garibaldi, who was to overthrow the Bourbon king in Naples and bring about the Unification of Italy.
The prince's family leads an opulent life in their magnificent palaces with servants and peasants kowtowing to their every need. They spend their time at opulent banquets and lavish balls with their fellow aristocrats.
Shankland has made the series into a visual feast with tables heaped with food, elaborate gardens and sensuous costumes.... Read More