The Berlin film festival opened Thursday with a premiere from Chinese director Wang Quan’an that follows the bittersweet reunion of a couple divided for decades across the Taiwan Strait.
“Apart Together” marked Wang’s return to Berlin after winning the festival’s top Golden Bear award with “Tuya’s Marriage” in 2007. It is the first of 20 movies competing for honors at the event’s 60th edition — the first of the year’s major European film festivals.
In keeping with Berlin’s traditional mix of star power with a global perspective, this year’s competitors range from Wang’s film to entries from Bosnia and Iran and even to Roman Polanski’s new movie, “The Ghost Writer.”
Set in fast-changing Shanghai, “Apart Together” tells the story of a man who returns to Shanghai a half-century after leaving mainland China during the civil war that divided Taiwan from China.
The former anti-communist Kuomintang soldier hopes to find his first love, whom he had to leave behind with their unborn son, but finds that she later set up a new family with a communist corporal. The movie explores the turbulence caused by their reunion.
The movie, starring 83-year-old Chinese actress Lisa Lu alongside Taiwanese singer Ling Feng, focuses on “people who are caught up in the flow of history,” Wang said.
“Reunification is something people in China really yearn for,” he added. “It’s tragic that our country is divided.”
The two sides split during a civil war in 1949, and Beijing sees self-governing Taiwan as a renegade province.
Festival director Dieter Kosslick says Wang’s film has symbolic value for the Berlin event — once a showcase of capitalist West Berlin — in a year that sees the 20th anniversary of German reunification.
The winners at this year’s Berlin festival will be chosen by a seven-member jury under German-born filmmaker Werner Herzog that includes actress Renee Zellweger.
Recent years have produced several surprise winners, with the top award going to relatively unheralded productions such as Wang’s “Tuya’s Marriage” and last year “The Milk of Sorrow” from young Peruvian director Claudia Llosa.
“I think it’s very important for young filmmakers to find a platform here,” said Herzog, who first appeared at the Berlin festival more than 40 years ago. “It was important for me back then.”
Zellweger said it would be “wonderful to get back to roots of watching the films and exploring, remembering what it is that makes you love this medium in the first place.”
The winners of the Golden Bear and other awards will be announced Feb. 20, and the festival ends on Feb. 21.
Festival site: http://www.berlinale.de/en/HomePage.html
Directing and Editing “Conclave”; Insights From Edward Berger and Nick Emerson
It’s been a bruising election year but this time we’re referring to a ballot box struggle that’s more adult than the one you’d typically first think of in 2024. Rather, on the industry awards front, the election being cited is that of the Pope which takes front and center stage in director Edward Berger’s Conclave (Focus Features), based on the 2016 novel of the same title by Robert Harris. Adapted by screenwriter Peter Straugham, Conclave stars Ralph Fiennes as the cardinal leading the conclave that has convened to select the next Pope. While part political thriller, full of backstabbing and behind-closed-door machinations, Conclave also registers as a thoughtful adult drama dealing with themes such as a crisis of faith, weighing the greater good, and engaging in a struggle that’s as much about spirituality as the attainment of power.
Conclave is Berger’s first feature after his heralded All Quiet on the Western Front, winner of four Oscars in 2023, including for Best International Feature Film. And while Conclave would on the surface seem to be quite a departure from that World War I drama, there’s a shared bond of humanity which courses through both films.
For Berger, the heightened awareness of humanity hit home for him by virtue of where he was--in Rome, primarily at the famed Cinecittà studio--to shoot Conclave, sans any involvement from the Vatican. He recalled waking up in Rome to “soak up” the city. While having his morning espresso, Berger recollected looking out a window and seeing a priest walking about with a cigarette in his mouth, a nun having a cup of coffee, an archbishop carrying a briefcase. It dawned on Berger that these were just people going to... Read More