Amazon is developing a script-to-series one-hour original limited drama, The Underground Railroad, based on Colson Whitehead’s National Book Award-winning novel. Set to write and direct is Barry Jenkins (writer-director of Best Picture Oscar winner Moonlight), with the series slated to be executive produced by Pastel (Moonlight) and Brad Pitt’s Plan B (Moonlight, 12 Years a Slave).
Published by Doubleday, "The Underground Railroad" has sold over 825,000 copies in the United States across all formats. An Oprah’s Book Club 2016 selection, #1 New York Times bestseller, and the winner of the 2016 National Book Award for Fiction, "The Underground Railroad" chronicles young Cora’s journey as she makes a desperate bid for freedom in the antebellum South. After escaping her Georgia plantation for the rumored Underground Railroad, Cora discovers no mere metaphor, but an actual railroad full of engineers and conductors, and a secret network of tracks and tunnels beneath the Southern soil.
“Going back to 'The Intuitionist,' Colson’s writing has always defied convention, and 'The Underground Railroad' is no different,” said Barry Jenkins. “It’s a groundbreaking work that pays respect to our nation’s history while using the form to explore it in a thoughtful and original way. Preserving the sweep and grandeur of a story like this requires bold, innovative thinking and in Amazon we’ve found a partner whose reverence for storytelling and freeness of form is wholly in line with our vision.”
Joe Lewis, head of comedy, drama and VR at Amazon Studios, added, “Colson Whitehead’s book is a sweeping, character driven, boundary destroying epic. Having Barry bring it to life for Amazon Studios is thrilling. We couldn’t be more excited to see what they create.”
Pastel was founded by Jenkins, Adele Romanski and Sara Murphy as a home for artists to create provocative, boundary-pushing work in film, television and beyond. In addition to developing in-house productions for Jenkins, Pastel focuses on supporting diverse projects and empowering filmmakers that further the mandate of integrity, urgency and specificity set forth by Moonlight.
Plan B is represented by CAA and Brillstein Entertainment Partners. Jenkins is represented by Silent R Management and CAA. Whitehead is represented by Nicole Aragi at Aragi Inc. and literary agents Geoffrey Sanford and Brooke Ehrlich at The Sanford Ehrlich Company.
Jenkins is also represented for commercials and branded content by production house Smuggler.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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