Daniel Wolfe directs anthem film set to excerpts from emotionally moving short story "The Selfish Giant"
By A SHOOT Staff Report
The centerpiece of the new lululemon activewear “FEEL” campaign from Droga5 New York is this two-minute film, “Being well is a journey,” directed by Daniel Wolfe via production house Love Song.
Set to excerpts from Oscar Wilde’s short story “The Selfish Giant,” the anthem follows one person’s journey through a cycle of punishing, unsustainable and closed-off behaviors, before opening up, emotionally and physically, to a new world of sustainable practice, community, and joy. The giant in the story builds a wall around his garden, closing off his world from others–and thus even fails to feel the change of seasons. A tale of isolation and its consequences carries an extra measure of relevance today given the COVID pandemic and the craving for connection that so many of us have felt as a result. Simply, in order to feel well, you have to feel, necessitating that we reach out to others and allow others to reach out to us.
“Being well is a journey,” on which Barking Owl was the music/sound house, took the #1 slot in SHOOT’s Q3 Top Ten Tracks Music Chart–with two-time Oscar winner Atticus Ross serving as composer and Dan Flosdorf as sound designer and audio post mixer. Ross won Academy Awards for Best Original Score in 2011 for his co-writing exploits on The Social Network and earlier this year for Soul. Soul was one of two such Oscar nods that Ross received in 2021–the other being for being a co-composer on Mank.
Other key members of the Barking Owl team on “Being well is a journey” included creative director Kelly Bayett and producer Ashley Benton.
Letting the narrative speak
Bayett shared that doing justice to Wilde’s story musically and in terms of sound design was a high priority. “Oscar Wilde’s ‘Selfish Giant’ is an absolutely stunning piece of work,” she said. “When you hear that over the visuals, it tells such a clear story and so many people can see themselves in the narrative and our hero. We couldn’t do anything with the music or sound design that would overshadow the narration. That is the key here, and even the mix was a very delicate balance of what brought depth and weight and what became overpowering.”
Bayett observed that the biggest challenge the lululemon film posed to the Barking Owl team involved getting the desired feel and inspiration just right. “From an audio standpoint, we wanted to really highlight the repetitiveness in our hero’s daily life. But his repetitive behavior wasn’t just the same thing every day, but this idea that you push yourself to the limit everyday, and you become numb. We wanted to make sure that, as the viewer, you felt the intensity and also the relief once he is finally quiet and allowed to just FEEL. We push ourselves so hard to feel anything, taking pills, working all night, working out with high intensity. But from a sonic standpoint, we had to make sure you felt the difference between the intensity in the beginning, as well as the relief when you realize you don’t have to push so hard. You can just be present, and you will feel so much.”
Mike Ladman served as sr. music supervisor for Droga5 NY on the film.
Click here to see the full quarterly Top Ten Tracks Chart.
Carrie Coon Relishes Being Part Of An Ensemble–From “The Gilded Age” To “His Three Daughters”
It can be hard to catch Carrie Coon on her own.
She is far more likely to be found in the thick of an ensemble. That could be on TV, in "The Gilded Age," for which she was just Emmy nominated, or in the upcoming season of "The White Lotus," which she recently shot in Thailand. Or it could be in films, most relevantly, Azazel Jacobs' new drama, "His Three Daughters," in which Coon stars alongside Natasha Lyonne and Elizabeth Olsen as sisters caring for their dying father.
But on a recent, bright late-summer morning, Coon is sitting on a bench in the bucolic northeast Westchester town of Pound Ridge. A few years back, she and her husband, the playwright Tracy Letts, moved near here with their two young children, drawn by the long rows of stone walls and a particularly good BLT from a nearby cafe that Letts, after biting into, declared must be within 15 miles of where they lived.
In a few days, they would both fly to Los Angeles for the Emmys (Letts was nominated for his performance in "Winning Time" ). But Coon, 43, was then largely enmeshed in the day-to-day life of raising a family, along with their nightly movie viewings, which Letts pulls from his extensive DVD collection. The previous night's choice: "Once Around," with Holly Hunter and Richard Dreyfus.
Coon met Letts during her breakthrough performance in "Who's Afraid of Virginia Wolfe?" on Broadway in 2012. She played the heavy-drinking housewife Honey. It was the first role that Coon read and knew, viscerally, she had to play. Immediately after saying this, Coon sighs.
"It sounds like something some diva would say in a movie from the '50s," Coon says. "I just walked around in my apartment in my slip and I had pearls and a little brandy. I made a grocery list and I just did... Read More