By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --"Avengers: Endgame" continued its global domination at the box office in a second week victory lap that saw the blockbuster cross the $2 billion mark in record time and unseat "Titanic" as the second highest-grossing film ever worldwide. Domestically, newcomers, including thrillers ("The Intruder"), well-reviewed comedies ("Long Shot") or animated family fare ("Uglydolls") were left in the dust to pick up the scraps.
The Walt Disney Co. estimated Sunday that "Endgame" added $145.8 million from North American theaters and $282.2 million internationally bringing its global total to $2.2 billion. "Endgame" is one of five movies to ever reach that threshold and, not accounting for inflation, is now second worldwide only to "Avatar's" $2.8 billion. "Avatar" reached $2 billion in 47 days of release compared with 11 for "Endgame," although in 2009 the theatrical landscape was different, most notably so in China.
"The sprint to $2 billion is unbelievable. We're in uncharted territory," said Paul Dergarabedian, the senior media analyst for Comscore. "Usually films like this are marathoners."
To reach "Avatar's" global record, however, "Endgame" will have to turn into a marathoner itself and the summer movie season is only going to get more competitive.
Still, "it's got a real chance at getting there," Dergarabedian said.
Domestically, "Endgame," which is still playing on 4,662 screens, scored the second biggest second weekend ever with a sum that would be impressive for any film on opening weekend. Even its 59% drop is notable considering how front-loaded it was. "Endgame" has now grossed $619.7 million in North America, making it the ninth biggest of all time, behind "Star Wars: The Last Jedi."
New films entering the marketplace hardly stood a chance, but some saw successes even in the shadow of "Endgame."
In second place, "The Intruder," a modestly budgeted ($8 million) thriller with Dennis Quaid and Meagan Good, survived poor reviews and did the best of the batch with $11 million in box office receipts. The Sony/Screen Gems film was released on 2,222 screens.
Although close behind on the charts in third place, Lionsgate and Point Grey's "Long Shot," a politically-themed romantic comedy with Seth Rogen and Charlize Theron, failed to make a significant dent against its pricier budget. The film, which was the best reviewed of the newcomers by far, grossed an estimated $10 million from 3,230 screens, against a reported $40 million budget. But word-of-mouth could also help propel "Long Shot" to profits ultimately.
"'Long Shot' has a shot at staying power," Dergarabedian said. "But there's a lot of noise to rise above."
The unluckiest of the new movies was "Uglydolls," an animated film based on the toys featuring the voices of Kelly Clarkson, Nick Jonas, Blake Shelton and Janelle Monae, which placed fourth with $8.5 million. STXfilms' first animated feature cost $45 million to produce after production rebates. It does, however, still have a China release later this summer.
Industry-wide, the continued success of "Endgame" has also helped the box office deficit, which went from down 13.2% last weekend to down 10.9% this weekend. And Dergarabedian said that the industry may be on its way to a record summer, still.
"It's not just about one movie this summer," he said. "There's a lot more to come from every studio. Diversity of content will rule the day."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1."Avengers: Endgame," $145.8 million ($282.2 million international).
2."The Intruder," $11 million.
3."Long Shot," $10 million ($3.3 million international).
4."Uglydolls," $8.5 million ($955,000 international).
5."Captain Marvel," $4.3 million ($1.2 million international).
6."Breakthrough," $3.9 million.
7."The Curse of La Llorona," $3.5 million ($5.8 million international).
8."Shazam!" $2.5 million ($2.3 million international).
9."Little," $1.5 million ($400,000 international).
10."Dumbo," $1.4 million ($4 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to Comscore:
1. "Avengers: Endgame," $282.2 million.
2. "Capernaum," $13.1 million.
3. "We'll End Up Together," $7 million.
4. "The Curse of La Llorona," $5.8 million.
5. "Wonder Park" and "Always Miss You," $4.7 million.
6. "Dumbo," $4 million.
7. "Long Shot," $3.3 million.
8. "Inseparable Bros," $3.2 million.
9. "Shazam!" and "After," $2.3 million.
10. "Queen's Corgi," $1.7 million.
First-Time Feature Directors Make Major Splash At AFI Fest, Generate Oscar Buzz
Two first-time feature directors who are generating Oscar buzz this awards season were front and center this past weekend at AFI Fest in Hollywood. Rachel Morrison, who made history as the first woman nominated for a Best Cinematography Oscar---on the strength of Mudbound in 2018--brought her feature directorial debut, The Fire Inside (Amazon MGM Studios), to the festival on Sunday (10/27), and shared insights into the film during a conversation session immediately following the screening. This came a day after William Goldenberg, an Oscar-winning editor for Argo in 2013, had his initial foray into feature directing, Unstoppable (Amazon MGM Studios), showcased at the AFI proceedings. He too spoke after the screening during a panel discussion. The Fire Inside--which made its world premiere at this year’s Toronto International Film Festival--tells the story of Claressa “T-Rex” Shields (portrayed by Ryan Destiny), a Black boxer from Flint, Mich., who trained to become the first woman in U.S. history to win an Olympic Gold Medal in the sport. She achieved this feat--with the help of coach Jason Crutchfield (Brian Tyree Henry)--only to find that her victory at the Summer Games came with relatively little fanfare and no endorsement deals. So much for the hope that the historic accomplishment would be a ticket out of socioeconomic purgatory for Shields and her family. It seemed like yet another setback in a cycle of adversity throughout Shields’ life but she persevered, going on to win her second Gold Medal at the next Olympics and becoming a champion for gender equality and equitable pay for women in sports. Shields has served as a source of inspiration for woman athletes worldwide--as well as to the community of... Read More