By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --"Avengers: Infinity War" is still ruling the box office in its third weekend in theaters, easily beating out the mom-themed fare.
The Walt Disney Studios on Sunday estimates that "Infinity War" has added $61.8 million from North American theaters bringing its total domestic earnings to $547.8 million. Globally the film has now grossed over $1.6 billion— $200 million of which was from its massive opening in China this weekend. It's now the fifth highest grossing film of all time worldwide.
The superhero blockbuster overpowered newcomers like the Melissa McCarthy comedy "Life of the Party" and the Gabrielle Union thriller "Breaking In," both of which were strategically timed to debut on Mother's Day weekend. Both films drew overwhelmingly female audiences, too.
In a distant second, "Life of the Party" earned an estimated $18.5 million, which is a few million short of some of McCarthy's other comedy collaborations with husband Ben Falcone like "Tammy" and "The Boss." It also got similarly mixed reviews from critics. The Warner Bros. release stars McCarthy as a woman who decides to go back to college with her daughter.
The studio is "thrilled" with the results.
"It's escapist movie palace fare," said Jeff Goldstein, Warner Bros.' president of domestic distribution.
The modestly budgeted "Breaking In" took third place with $16.5 million, over-performing most industry expectations despite lackluster reviews. The film stars Union as a mom who has to fight to save her kids from a group of home invaders.
"It's an edge-of-the-seat thriller that you may not always associate with Mother's Day, but it worked extraordinarily well," said Jim Orr, Universal's president of domestic theatrical distribution.
The Universal Pictures release is just the latest in a long string of successful collaborations with producer Will Packer, who also produced "Girl's Trip" and the "Ride Along" films.
"We have a great partner in Will Packer and 'Breaking In' is another example of his very talented approach and our mutual success," Orr said.
Also benefiting from the Mother's Day timing was "Overboard," which earned $10.1 million to take fourth place, down only 31 percent from its debut last weekend. And rounding out the top five was "A Quiet Place" with $6.4 million. The John Krasinski-directed thriller has now earned $169.6 million domestically.
"This is a typical Mother's Day weekend with a big blockbuster in the mix and some counter programming thrown in for good measure as we await the arrival of 'Deadpool 2' next week," said comScore senior media analyst Paul Dergarabedian.
Because of the massive success of "Infinity War," the box office is up 4.9 percent for the year, and a slew of blockbusters coming up are hoping to continue the success, including "Deadpool 2" and "Solo: A Star Wars Story" just one week later.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1."Avengers: Infinity War," $61.8 million ($281.3 million international).
2."Life of the Party," $18.5 million ($2.9 million international).
3."Breaking In," $16.5 million ($1 million international).
4."Overboard," $10.1 million ($8.2 million international).
5."A Quiet Place," $6.4 million ($2.8 million international).
6."I Feel Pretty," $3.7 million ($3.5 million international).
7."Rampage," $3.4 million ($6.4 million international).
8."Tully," $2.2 million.
9."Black Panther," $1.9 million.
10."Blockers," $1.1 million ($1.2 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Avengers: Infinity War," $281.3 million.
2. "Overboard," $8.2 million.
3. "Truth or Dare," $7.4 million.
4. "Rampage," $6.4 million.
5. "Sherlock Gnomes," $5.6 million.
6. "Us And Them (dir. Liu)," $4.2 million.
7. "I Feel Pretty," $3.5 million.
8. "Wrestler," $3.4 million.
9. "I Am Your Mom," $3.2 million.
10. "Life of the Party," $2.9 million.
Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More