"Avatar: The Way of Water" is the box office king for a third consecutive week, and shows no sign of slowing down.
James Cameron's long-awaited sequel to the first "Avatar" film brought in an estimated $63 million over the holiday weekend, roughly the same as the previous week, and now has made more than $400 million domestically and more than $1.3 billion globally. "The Way of Water" is already the 15th highest global release ever, just behind the first "Black Panther."
Numbers released Sunday by Comscore showed "Avatar" far ahead of the runner-up, Universal's "Shrek" spinoff "Puss in Boots: The Last Wish," which made an estimated $16 million, and Disney's "Black Panther: Wakanda Forever," which brought in around $4.8 million.
The Sony biopic "Whitney Houston: I Wanna Dance With Somebody" made $4.2 million in its second week of release. "Babylon," the epic of early Hollywood starring Brad Pitt and Margot Robbie, continued to fare badly despite its five Golden Globe nominations. The Paramount release earned just $2.7 million in its second week, a 24% drop, and averaged just $815 per location. By comparison, the new "Avatar," a 20th Century Studios film, averaged more than $15,000.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. "Avatar: The Way of Water," $63 million.
2. "Puss in Boots: The Last Wish," $16 million.
3. "Black Panther: Wakanda Forever," $4.8 million.
4. "I Wanna Dance With Somebody," $4.2 million.
5. "Babylon," $2.7 million.
6. "Violent Night," $2.1 million.
7. "The Whale," $1.3 million.
8. "The Fabelmans," $1.1 million.
9. "The Menu," $1.1 million.
10. "Strange World," $538,000.
Review: Writer-Directors Scott Beck and Bryan Wood’s “Heretic”
"Heretic" opens with an unusual table setter: Two young missionaries from The Church of Jesus Christ of Latter-day Saints are discussing condoms and why some are labeled as large even though they're all pretty much a standard size. "What else do we believe because of marketing?" one asks the other.
That line will echo through the movie, a stimulating discussion of religion that emerges from a horror movie wrapper. Despite a second-half slide and feeling unbalanced, this is the rare movie that combines lots of squirting blood and elevated discussion of the ancient Egyptian god Horus.
Our two church members — played fiercely by Sophie Thatcher and Chloe East — are wandering around trying to covert souls when they knock on the door of a sweet-looking cottage. Its owner, Mr. Reed, offers a hearty "Good afternoon!" He welcomes them in, brings them drinks and promises a blueberry pie. He's also interested in learning more about the church. So far, so good.
Mr. Reed is, of course, if you've seen the poster, the baddie and he's played by Hugh Grant, who doesn't go the snarling, dead-eyed Hannibal Lecter route in "Heretic." Grant is the slightly bumbling, bashful and self-mocking character we fell in love with in "Four Weddings and a Funeral," but with a smear of menace. He gradually reveals that he actually knows quite a bit about the Mormon religion — and all religions.
"It's good to be religious," he says jauntily and promises his wife will join them soon, a requirement for the church. Homey touches in his home include a framed "Bless This Mess" needlepoint on a wall, but there are also oddities, like his lights are on a timer and there's metal in the walls and ceilings.
Writer-directors Scott Beck and Bryan Wood — who also... Read More