At IBC 2016 Autodesk has announced its Flame 2017 family extension 1 release for professional 3D visual effects, compositing and finishing.
The update includes new 3D scene navigation features and enhancements, collaborative workflow enhancements for working with Autodesk and third-party 3D animation tools, a new way of working with multichannel (EXR) render passes, render quality improvements, better color management and batch compositing enhancements including a new compass tool.
“With this Flame extension, we’ve added intuitive navigation for artists who are new to the product along with a host of features to make navigating 3D scenes much simpler and in line with Autodesk Maya 3D workflows,” said Marc Stevens, VP of film and television at Autodesk. “Many other new features, including better color management and batch tools are a direct response to some of our most popular user requests.”
Flame Family 2017 extension 1 highlights include:
- New Maya inspired 3D scene navigation and manipulators to make action more fluid for modeling, selecting geometries and modifying complex scenes.
- Improved compatibility with Autodesk Maya and third party 3D animation software through a new .FBX scene export feature. Flame artists can now export complex projects – including geometries, deformed surfaces and textures as well as object animation and timing facilitating more collaborative workflows.
- Enhanced pipeline integration for color management, pipeline compositing and multi-channel clips, simplifying the user experience and strengthening the versatility of Flame products.
- Upgraded action render quality enables artists to texture and light 3D scenes with creative flair and technical accuracy. Extension 1 combines the latest techniques in physically based rendering (PBR) with core lighting and texturing tools and includes a new package of 60 algorithmic substance textures.
- Improved EXR handling for upgraded pipeline compositing. Multi EXRs can now be imported, conformed, cached and archived while maintained as a single clip.
- Connected color workflow improvements for finishing artists. Batch effects applied in Autodesk Lustre can now be rendered through the background reactor, and tangent ELEMENT panels are now automatically switched to the focused application.
- Batch setups are now project independent and contain all metadata to re-import content or transfer assets from remote workstations.
Flame Family 2017 extension 1 will be available globally via subscription on October 13, 2016.
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More